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Full Description
In state and public discussion about war and conflict, figures of transgression such as deserters, pacifist and emigrants are often marginalised, but they also play a key role in rethinking cultural and national identity in the wake of military violence. Raising questions of agency, responsibility and culpability in relation to the 'other', their cultural representation can enable reflection on and renegotiation of values and collective norms after the destabilisation of war.
Through an interdisciplinary lens, this collection analyses the depiction of these transgressive figures in a variety of visual media, as well as the narrative, socio-cultural, political and historical contexts in which they emerge.
Contents
List of figures
Notes on the Contributors
Acknowledgements
1. Introduction
Lisa Purse and Ute Wölfel
2. Momentary Rupture? Dawn (1928) and the Transgressive Potential of the Edith Cavell Case
Claudia Sternberg
3. 'An act of wilful defiance': Objection, Rebellion, and Protest in the Imperial War Museum's First World War Galleries
Rebecca Clare Dolgoy
4. Figures of Transgression in Representations of the First World War on British Television
Emma Hanna
5. The End of Transgression: Fritz Bauer as Traitor on the German Screen
Ute Wölfel
6. 'Just another Kraut'?: The Wehrmacht Traitor as 'Good German' in Hollywood's Decision before Dawn (1951)
Patrick Major
7. Religious pacifism and the Hollywood war film: from Sergeant York (1941) to Hacksaw Ridge (2017)
Guy Westwell
8. Military Masculinity and the Deserting Soldier in Stop-Loss (2008)
Thomas Ærvold Bjerre
9. Activist, mother, filmmaker: competing transgressions in the Syrian war documentary
Lisa Purse
10. Marie Colvin - the war hero and the 'nasty woman'
Agnieszka Piotrowska
Index
