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Full Description
This is the first English-language study of internationally acclaimed Portuguese filmmaker Pedro Costa, examining the cultural, production and exhibition contexts of his feature films, shorts and video installations. It situates Costa's filmmaking within the contexts of Portuguese, European and global art film, looking into his working practices alongside the impact of digital video, forms of collaborative authorship, and the intricate dialogue between modes of production and aesthetics.
Considering the exhibition, circulation and reception of Costa's creative output in settings such as film festivals, the art gallery circuit and the home video market, ReFocus: The Films of Pedro Costa provides an essential critical analysis of this major filmmaker - as well as of the multifaceted production and consumption practices that surround contemporary art cinema.
Contents
Figures
Acknowledgements
Introduction
CHAPTER 1 - Cinema's 'Primitive Beauty': Pedro Costa's Artistic Formation and the Making of Blood (1989)
CHAPTER 2 - Negotiating Filmmaking: Adaptation, Location and Docufiction
CHAPTER 3 - Digital Filmmaking at the Interstices
CHAPTER 4 - Critical Reception and the International Film Festival
CHAPTER 5 - Between the Black Box and the White Cube
CHAPTER 6 - Renegotiating circulation: retrospectives and DVD releases
CHAPTER 7 - A 'Document of Documents': Authorship, Intertextuality and Politics in Horse Money (2014)
Conclusion
Bibliography
Pedro Costa's Filmography
