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Full Description
Emmanuel Levinas's ethical philosophy has had a significant influence on film theory in recent years. Proposing a relationship between Levinasian ethics and film style, and bringing it into a productive dialogue with theories of performativity, this book explores this influence through three directorial bodies of work: those of the Dardenne Brothers, Barbet Schroeder and Paul Schrader. Discussing a range of films - including the Dardennes' Le Fils and The Kid with a Bike, Schroeder's Maitresse and Reversal of Fortune and Schrader's American Gigolo and The Comfort of Strangers - Edward Lamberti demonstrates how film styles can perform a Levinasian ethics.
Contents
List of Figures
Acknowledgements
Introduction: Textual Performances in Levinas and Film
Part I: The Dardenne Brothers: An Ethics Without Rest
1. Je Pense à Vous and La Promesse: From Describing to Performing
2. Levinasian Responsibility in Le Fils
3. The Kid with a Bike and the Reframing of Ethics
Part II: Barbet Schroeder: Devoted to the Other
4. Maîtresse: Direction Without Domination
5. The Ethical and the Juridical in Reversal of Fortune and Terror's Advocate
6. Our Lady of the Assassins and Levinas's Ethics as First Philosophy
Part III: Paul Schrader: An Unexpected Ethics
7. American Gigolo and the Ethics of Falling in Love
8. Levinasian Limits of Performativity in Mishima: A Life in Four Chapters
9. Passivity and Responsibility in The Comfort of Strangers, Dominion: Prequel to the Exorcist and Adam Resurrected
Conclusion: Levinasian Films in the World
Notes
Bibliography
Index