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Full Description
Nordic Film Cultures and Cinemas of Elsewhere introduces a new concept to Nordic film studies as well as to other small national, transnational and world cinema traditions. Examining overlooked 'elsewheres', the book presents Nordic cinemas as international, cosmopolitan, diasporic and geographically dispersed, from their beginnings in the early silent period to their present 21st-century dynamics.
Exploring both canonical works by directors like Ingmar Bergman and Lars von Trier, as well as a wide range of unknown or overlooked narratives of movement, synthesis and resistance, the book offers a new model of inquiry into a multi-varied Scandinavian cultural lineage, and into small nation and pan-regional world cinemas.
Contents
Acknowledgments
List of Illustrations and Captions
Contributor Biographies
1. Introduction: Nordic Film Cultures and Cinemas of Elsewhere; Patrick Ellis, Arne Lunde, and Anna Westerstahl Stenport
PART I: TRACES AND ERASURES
2. Mapping Cinema's Ghosts: Reconstructing the Circulation of Nordic Silent Film in Australia; Julie K. Allen
3. Charlie Chan's Last Mystery, or the Transcultural Disappearance of Warner Oland; Kim Khavar Fahlstedt
4. Karin Fock Göring's Gravestone: Tracing the Legacy of the Swedish First Lady of the Third Reich; Patrick Wen
5. Mobility and Marginalization: Arne Sucksdorff's Documentary Authorship in India and Brazil; Emil Stjernholm
6. "Let's Get a Swede!" Peter Goldmann, The Beatles, and the Origins of the Music Video; Scott MacKenzie
7. Out of the Margins of Feminist Filmmaking: Vibeke Løkkeberg and the Film Cultures of 1970s West Berlin; Ingrid S. Holtar
8. The Gothenburg International Exile Film Festival in Context; Boel Ulfsdotter and Mats Björkin
PART II: INTERMEDIARIES
9. Opening up the Post-War World in Color: 1950s Geopolitics and Spectacular Nordic Colonialism in the Arctic and in Africa; Anna Westerstahl Stenport
10. The Diasporic and Polyglot Works of Ingrid Bergman; Scott MacKenzie
11. "Here is my home": Voiceover and Foreign-language Versions in Post-war Danish informational film; C. Claire Thomson
12. A Sámi in Hollywood: Nils Gaup's Transnational and Generic Negotiations; Gunnar Iversen
13. "There is no Elsewhere!" Stories of Race, Decolonization, and Global Connectivity in Göran Hugo Olsson's Documentaries; Lill-Ann Körber
14. Aki Kaurismäki's Finno-French Connections and Other Transcultural Elsewheres; Ana Bento Ribeiro
15. Nordic Noir as a Calling Card: The International Careers of Danish Film and Television Talent in the 2010s; Eva N. Redvall
PART III: CONTACT ZONES
16. Paris Looks to the North: Swedish Silent Film and the Emergence of Cinephilia; Annie Fee
17. Celebrated, Contested, Criticized: Anita Ekberg, a Swedish Sex Goddess in Hollywood; Ann-Kristin Wallengren
18. The Finnish Cinema Colony in North America, 1938-1941; Anneli Lehtisalo
19. The Transnational Politics of Lars von Trier's and Thomas Vinterberg's "Amerika"; Linda Badley
20. The Globalization of Danish Documentary: Creative Collaboration and Modes of Global Documentaries; Ib Bondebjerg
21. Elsewheres of Healing: Trans-Indigenous Spaces in Elle-Máijá Apiniskim Tailfeathers' Bihttoš; Troy Storfjell (Sámi)
22. Denmark beyond Denmark: Soft Power, Talent Development, and Filmmaking in the Middle East; Mette Hjort
PART IV. REVISITATIONS
23. Cinephiliac and Political Passions of the Parisian 1950s: Dreyer's Jeanne d'Arc and the Cinéma d'Essai; Casper Tybjerg
24. I Am Curious (Yellow) as Sex Education in the United States; Saniya Lee Ghanoui
25. Transnational Cinefeminism of the 1970s and Mai Zetterling's Documentary Elsewheres; Mariah Larsson
26. The Serpent's Egg: Ingmar Bergman's Exilic Elsewheres in 1970s New German and New Hollywood Cinema; Anna Westerstahl Stenport and Arne Lunde
27. Bridging Places, Media, and Traditions: Lasse Hallström's Chronotopes; Lynn R. Wilkinson
28. Criminal Undertakings: Nicolas Winding Refn, European Film Aesthetics and Hollywood Genre Cinema; Björn Nordfjörd
29. The Cinematic Kon-Tiki Expeditions: Realism, Spectacle, and the Migration of Nordic Cinema; Benjamin Bigelow