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Full Description
The first book devoted to a wide-ranging study of developments in global French-language cinema, from Quebec to Mauritania and from Belgium to Cambodia, Cinéma-monde picks up on the lively scholarly debates generated by the related topic of littérature-monde. Extending the scope of this debate to cover the thriving and diverse area of international French-language cinema, this innovative book also considers cinema from France within the context of global production. With contributions from an international range of specialists, and with considerations of works by contemporary directors like Rachid Bouchareb, Abderrahmane Sissako and Rithy Panh, Cinéma-monde explores the porous borders around francophone spaces and the ways in which languages and identities 'travel' in contemporary cinema.
Contents
Introduction: The Kaleidoscope of Cinéma-monde
Section I. From Local to Global: The Cinéma(s)-monde(s) of Auteurs and Actors
Chapter 1- Joseph Mai: 'Site 2: Style and Encounter in Rithy Panh's cinéma-monde'
Chapter 2- Mireille Rosello: 'Globalization, Cinema and Terrorism in Rachid Bouchareb's Films: London River, Baton Rouge and Little Senegal'
Chapter 3- Laura Reeck: 'Guerrilla Filmmaking with Rachid Djaïdani'
Chapter 4- Dayna Oscherwitz: 'Globalization, Cinéma-monde, and the Work of Abderrahmane Sissako'
Chapter 5- Leslie Kealhofer-Kemp: 'The Career of Actress Hafsia Herzi: Crossing Borders, Challenging Barriers'
Section II. Voyages, Limits and Borders
Chapter 6- Michael Gott: 'Lost at Sea or Charting a New Course? Mapping the Murky Contours of Cinéma-monde in Floating Francophone Films'
Chapter 7- Vlad Dima 'The Beautiful Fantasy: Imaginary Representations of Football in West-African Cinema'
Chapter 8- Gemma King: Merry Christmas in No Man's Land: European Borders, Language Barriers and Front Lines in Christian Carion's Joyeux Noël
Chapter 9- Thibaut Schilt: 'An Ostrich, a Backhoe and a Few Ski-doos: Tracking the Road Movie in Quebec and Beyond'
Chapter 10- Leïla Ennaïli: 'Accented Mappings of France in a Globalized World: Le Havre (2011) and Samba (2014) Through the Lens of Cinéma-monde'
Section III. Hubs and Spheres of Production
Chapter 11- Alison Rice: 'Activist Cinéma-monde in Paris: Filming Foreigners in the French Capital'
Chapter 12- Jaime Steele: 'Cinema Made in Liège: A 'Hub' of Francophone Belgian Filmmaking'
Chapter 13- Michelle Stewart: '"Images of Diversity": Film Policy and the "State Struggle" for the Representation of Difference'
Chapter 14- Carina Yervasi: 'Youth and Média-Engagé: Is This West Africa's Heterolinguistic Cinéma-monde?'
Epilogues
Bill Marshall: 'Worlds Within; In the World'
Lucy Mazdon: 'Cinéma-monde as a Call to Arms'
Will Higbee: 'Cinéma-monde and the Transnational'
