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Full Description
Robert Boncardo investigates how Stéphane Mallarmé, one of modernity's most ingenious yet obscure poets, became an object of major political significance for French intellectuals. He asks how this most refined and seemingly aristocratic of poets became the writer of choice for leftist intellectuals and reflects on the ambivalent relation between literature and its political destiny in modernity.
With in-depth studies of Jean-Paul Sartre, Julia Kristeva, Alain Badiou and Jacques Rancière, along with shorter analyses of Jean-Claude Milner and Quentin Meillassoux, he situates Mallarmé within the philosophical and political projects of some of France's greatest thinkers.
Contents
AcknowledgementsAbbreviationsSeries Editor's Preface
Introduction: Comrade Mallarmé
Jean-Paul Sartre's Mallarmé: Hero of an Ontological Drama, Agent of the Counter-revolution
Julia Kristeva's Mallarmé: From Fetishism to the Theatre-Book
Alain Badiou's Mallarmé: From the Structural Dialectic to the Poetry of the Event
Jean-Claude Milner's Mallarmé: Nothing Has Taken Place
Jacques Rancière's Mallarmé: Deferring Equality
Conclusion: From One Siren to Another
Bibliography
Index



