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Full Description
Analyses what makes an acting performance excellent, through a range of examples from world cinemaWhat actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force.This second volume focuses on international cinema, and includes case studies of key performances from actors like Ingrid Bergman, Gael Garcia Bernal, Nikolai Cherkassov, Alec Guinness, Setsuko Hara, Isabelle Huppert, Peter Lorre, Madhubala, Anna Magnani, Toshiro Mifune, and Choi Min Sik, amongst many others.ContributorsUlka Anjaria, Brandeis UniversityJanet Bergstrom, UCLAHye Seung Chung, Colorado State UniversityCorey K. Creekmur, University of IowaAdrian Danks, RMIT University, MelbourneNick Davis, Northwestern UniversityDavid Desser, University of IllinoisDavid Scott Diffrient, Colorado State UniversityVictoria Duckett, Deakin University, MelbourneJason Jacobs, University of QueenslandAlexia Kannas, RMIT University, MelbourneMarcia Landy, University of PittsburghGina Marchetti, Independent Scholar Douglas McFarland, Flagler College, Saint AugustineAdrienne L. McLean, University of Texas at DallasJerry Mosher, California State University, Long BeachKarla Oeler, Stanford UniversityR. Barton Palmer, Clemson UniversityHomer B. Pettey, University of ArizonaMurray Pomerance, Ryerson University Sergio Rigoletto, University of OregonKyle Stevens, Appalachian State UniversityAaron Taylor, University of LethbridgeAlison Taylor, Bond University, QueenslandDolores Tierney, University of SussexNoah Tsika, Queens College, City University of New YorkTimotheus Vermeulen, University of Oslo
Contents
Introduction: Great International Performance, Kyle Stevens and Murray Pomerance1--Victor Sjöström in Wild Strawberries, Homer Pettey2--Emil Jannings in The Blue Angel, Jerry Mosher3--Charles Laughton in Hobson's Choice, Marcia Landy4--Nikolai Cherkasov in Ivan the Terrible, Karla Oeler5--Peter Lorre in M, Janet Bergstrom6--Anna Magnani in The Golden Coach, Sergio Rigoletto7--Alec Guinness in Last Holiday, R. Barton Palmer8--Ingrid Bergman in Stromboli, Victoria Duckett9--Toshirô Mifune in Throne of Blood, Douglas McFarland10--Setsuko Hara in Tokyo Story, David Desser11--Marcello Mastroianni in 8 ½, Adrienne L. McLean12--Jeanne Moreau in The Bride Wore Black, Adrian Danks13--Michel Serrault in La cage aux folles, Kyle Stevens14--Madhubala in Mughal-e-Azam, Corey K. Creekmur15--Michael Caine in Alfie, Jason Jacobs16--Amitabh Bachchan in Deewaar, Ulka Anjaria17--Catherine Deneuve in The Umbrellas of Cherbourg, Alexia Kannas18--Jean-Pierre Léaud in Stolen Kisses, Aaron Taylor19--Isabelle Huppert in The Piano Teacher, Alison Taylor20--Emma Thompson in The Remains of the Day, Tim Vermeulen21—Tilda Swinton in I Am Love, Murray Pomerance22---Denis Lavant in Holy Motors, Nick Davis23--Choi Min-sik in Oldboy, Hye Seung Chung and David S. Diffrient24--Maggie Cheung in In the Mood for Love, Gina Marchetti25--Omotola Jalade Ekeinde in Mortal Inheritance, Noah Tsika26--Gael Garcia Bernal in The Motorcycle Diaries, Dolores TierneyContributors
