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Full Description
British cinema has been far richer and more diverse than is generally recognized, as this collection of key writings on British film culture - from the conversion to sound in the late 1920s to the 1990s - testifies. Dissolving Views brings together a number of important and influential essays and the light they throw on 70 or so years of British cinema history makes this volume a vital, provocative and highly informative collection.
Contents
1. Introduction Andrew Higson
2. Hitchcock's British Films Revisited Charles Barr
3. The Production Designer and the Gesamtkunstwerk: German Film Technicians in the British Film Industry of the 1930s Tim Bergfelder
4. Engendering the Nation: British Documentary Film 1930-1939 Kathryn Dodd and Philip Dodd
5. Neither Here Nor There: National Identity in Gainsborough Costume Drama Pam Cook
6. The Quality Film Adventure: British Critics and the Cinema, 1942-1948 John Ellis
7. From Holiday Camp to High Camp: Women in British Feature Films, 1945-1951 Sue Harper
8. Victim: Text as Context Andy Medhurst
9. Space, Place, Spectacle: Landscape and Townscape in the 'Kitchen Sink' Film Andrew Higson
10. Landscapes and Stories in the 1960s British Realism Terry Lovell
11. The British Avant-Garde and Art Cinema from the 1970s to the 1990s Michael O'Pray
12. A Post-National European Cinema: A Consideration of Derek Jarman's The Tempest and Edward II Colin MacCabe
13. Beyond 'The Cinema of Duty'? The Pleasures of Hybridity: Black British Film of the 1980s and 1990s Sarita Malik
14. Crossing Thresholds: The Contemporary British Woman's Film Justine King
15. The Heritage Film and British Cinema Andrew Higson
Bibliography
Index
