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Full Description
Collected Studies CS 1068
The essays selected for this volume are chosen to reflect the important and intersecting ways in which over the last forty years Meg Twycross has shifted paradigms for people reading early English religious drama. The focus of Meg Twycross's research has been on performance in its many aspects, and this volume chooses four of the most important strands of her work - the York plays; new ways of understanding acting and performance in late medieval theatre, particularly in Britain and across Europe; why scenes are staged in the ways they are, verbally and by extrapolation visually, by close reading of texts against the background of medieval theology; and the attention paid to wider contexts of medieval theatre - concentrating especially on essays that are not easily available today.
These thematic strands are reflective of Meg Twycross's major contribution to the field. They also represent those areas from her wider work which will have most utility and value for those, whether students or senior specialists in areas beyond early drama, who are looking for ways into understanding English medieval plays. The crucial work that has been done here has opened new perspectives on late medieval theatre, and will allow new generations to begin their study and research from further along the road.
Contents
Introduction by Sarah Carpenter and Pamela King Part I: York 1. '"Places to hear the play": Pageant Stations at York 1398-1572', Records of Early English Drama Newsletter (1978:2), pp. 10-33 2. 'The Left-Hand-Side Theory: A Retraction', Medieval English Theatre 14 (1992), pp. 77-94 3. 'Some Aliens in York and their Overseas Connections up to 1470', Leeds Studies in English, n.s. 29 (1998), pp. 359-80 4. 'The King's Peace and the Play: the York Corpus Christi Eve Proclamation', Medieval English Theatre 29 (2007), pp. 121-150 5. 'The Ordo Paginarum revisited with a Digital Camera', 'Bring furth the pagants': Essays in Early English Drama presented to Alexandra F. Johnston, ed. by David N. Klausner and Karen Sawyer Marsalek (Toronto: University of Toronto Press, 2007), pp. 105-131 Part II: Performance 6. '"Playing the Resurrection"', Medieval Studies for J.A.W. Bennett Aetatis Suae LXX, ed. by Peter Heyworth (Oxford: Clarendon, 1981), pp. 273-96 7. 'Books for the Unlearned', Drama and Religion, ed. by James Redmond (Cambridge University Press, 1983), pp. 65-110 8. '"Transvestism" in the Mystery Plays', Medieval English Theatre 5:2 (1983), pp. 123-80 Part III: Theology 9. '"As the sun with his beams when he is most bright"', Medieval English Theatre, 12:1 (1990), pp. 34-79 10. '"With what body shall they come?": Black and White Souls in the Mystery Plays', Langland, the Mystics, and the Medieval Religious Tradition, ed. by Helen Phillips (Cambridge: Brewer, 1990), pp. 271-86. 11. 'Kissing Cousins: The Four Daughters of God and the Visitation in the N.Town Mary Play', Medieval English Theatre, 18 (1998 for 1996), pp. 99-141 Part IV: Processions and the wider culture 12. 'The Flemish Ommegang and its Pageant Cars', Medieval English Theatre, 2:1 (1980), 15-41, and 2:2 (1980), pp. 80-98 13. 'Felsted of London: silk-dyer and theatrical entrepreneur', Medieval English Theatre, 10:1 (1988), pp. 4-16 14. 'The York Mercers' Lewent Brede and the Hanseatic Trade', Medieval English Theatre, 17 (1995), pp. 96-119 15. 'The Leuven Ommegang and Leuven City Archives', European Drama 4: Selected papers from the Fourth International Conference on 'Aspects of European Medieval Drama', Camerino, 5-8 August 1999, ed. by André Lascombes (Turnhout: Brepols, 2001), pp. 77-90 Meg Twycross' bibliography
