現代イギリス・アイルランド劇作必携1880-2005年 Companion to Modern British and Irish Drama : 1880-2005 (Blackwell Companions to Literature and Culture)

現代イギリス・アイルランド劇作必携1880-2005年<br>Companion to Modern British and Irish Drama : 1880-2005 (Blackwell Companions to Literature and Culture)

個数：

現代イギリス・アイルランド劇作必携1880-2005年
Companion to Modern British and Irish Drama : 1880-2005 (Blackwell Companions to Literature and Culture)

Luckhurst, Mary (EDT)

ウェブストア価格 ¥14,465（本体¥13,150）
Wiley-Blackwell（2010/02発売）
外貨定価 US$ 68.95
ポイント 131pt

在庫がございません。海外の書籍取次会社を通じて出版社等からお取り寄せいたします。
通常6～9週間ほどで発送の見込みですが、商品によってはさらに時間がかかることもございます。
【重要ご説明事項】
1. 納期遅延や、ご入手不能となる場合がございます。
2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
3. 美品のご指定は承りかねます。

●3Dセキュア導入とクレジットカードによるお支払いについて

【入荷遅延について】
世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。

◆画像の表紙や帯等は実物とは異なる場合があります。

◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
また、洋書販売価格は、ご注文確定時点での日本円価格となります。
ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。

製本 Paperback:紙装版/ペーパーバック版／ページ数 584 p.
言語 ENG
商品コード 9781444332049
DDC分類 820

基本説明

New in paperback. Hardcover was published in 2006. Outlines the cultural, social, economic and institutional frameworks that readers require in order to appreciate the drama of this period.

Full Description

This wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers need to engage with in order to appreciate modern theatre in all its complexity.

An authoritative guide to modern British and Irish drama.
Engages with theoretical discourses challenging a canon that has privileged London as well as white English males and realism.
Topics covered include: national, regional and fringe theatres; post-colonial stages and multiculturalism; feminist and queer theatres; sex and consumerism; technology and globalisation; representations of war, terrorism, and trauma.

Acknowledgements xi List of Illustrations xii

Notes on Contributors xiii

Introduction 1
Mary Luckhurst

Part I Contexts 5

1 Domestic and Imperial Politics in Britain and Ireland: The Testimony of Irish Theatre 7
Victor Merriman

2 Reinventing England 22
Declan Kiberd

3 Ibsen in the English Theatre in the Fin de Siecle 35
Katherine Newey

4 New Woman Drama 48
Sally Ledger

Part II Mapping New Ground, 1900-1939 61

5 Shaw among the Artists 63
Jan McDonald

6 Granville Barker and the Court Dramatists 75
Cary M. Mazer

7 Gregory, Yeats and Ireland's Abbey Theatre 87
Mary Trotter

8 Suffrage Theatre: Community Activism and Political Commitment 99
Susan Carlson

9 Unlocking Synge Today 110
Christopher Murray

10 Sean O'Casey's Powerful Fireworks 125
Jean Chothia

11 Auden and Eliot: Theatres of the Thirties 138
Robin Grove

Part III England, Class and Empire, 1939-1990 151

12 Empire and Class in the Theatre of John Arden and Margaretta D'Arcy 153
Mary Brewer

13 When Was the Golden Age? Narratives of Loss and Decline: John Osborne, Arnold Wesker and Rodney Ackland 164
Stephen Lacey

14 A Commercial Success: Women Playwrights in the 1950s 175
Susan Bennett

15 Home Thoughts from Abroad: Mustapha Matura 188
D. Keith Peacock

16 The Remains of the British Empire: The Plays of Winsome Pinnock 198
Gabriele Griffin

Part IV Comedy 211

17 Wilde's Comedies 213
Richard Allen Cave

18 Always Acting: Noel Coward and the Performing Self 225
Frances Gray

19 Beckett's Divine Comedy 237
Katharine Worth

20 Form and Ethics in the Comedies of Brendan Behan 247
John Brannigan

21 Joe Orton: Anger, Artifice and Absurdity 258
David Higgins

22 Alan Ayckbourn: Experiments in Comedy 269
Alexander Leggatt

23 'They Both Add up to Me': The Logic of Tom Stoppard's Dialogic Comedy 279
Paul Delaney

24 Stewart Parker's Comedy of Terrors 289
Anthony Roche

Part V War and Terror 299

25 AWounded Stage: Drama and World War I 301
Mary Luckhurst

26 Staging 'the Holocaust' in England 316
John Lennard

27 Troubling Perspectives: Northern Ireland, the 'Troubles' and Drama 329
Helen Lojek

28 On War: Charles Wood's Military Conscience 341
Dawn Fowler and John Lennard

29 Torture in the Plays of Harold Pinter 358
Mary Luckhurst

30 Sarah Kane: From Terror to Trauma 371
Steve Waters

Part VI Theatre since 1968 383

31 Theatre since 1968 385
David Pattie

32 Lesbian and Gay Theatre: All Queer on the West End Front 398
John Deeney

33 Edward Bond: Maker of Myths 409
Michael Patterson

34 John McGrath and Popular Political Theatre 419
Maria DiCenzo

35 David Hare and Political Playwriting: Between the Third Way and the Permanent Way 429
John Deeney

36 Left in Front: David Edgar's Political Theatre 441
John Bull

37 Liz Lochhead: Writer and Re-Writer: Stories, Ancient and Modern 454
Jan McDonald

38 'Spirits that Have Become Mean and Broken': Tom Murphy and the 'Famine' of Modern Ireland 466
Shaun Richards

39 Caryl Churchill: Feeling Global 476
Elin Diamond

40 Howard Barker and the Theatre of Catastrophe 488
Chris Megson

41 Reading History in the Plays of Brian Friel 499
Lionel Pilkington

42 Marina Carr: Violence and Destruction: Language, Space and Landscape 509
Cathy Leeney

43 Scrubbing up Nice? Tony Harrison's Stagings of the Past 519
Richard Rowland

44 The Question of Multiculturalism: The Plays of Roy Williams 530
D. Keith Peacock

45 Ed Thomas: Jazz Pictures in the Gaps of Language 541
David Ian Rabey

46 Theatre and Technology 551
Andy Lavender

Index 563