Mussolini, Architect : Propaganda and Urban Landscape in Fascist Italy (Toronto Italian Studies)

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Mussolini, Architect : Propaganda and Urban Landscape in Fascist Italy (Toronto Italian Studies)

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  • 製本 Hardcover:ハードカバー版/ページ数 352 p.
  • 言語 ENG
  • 商品コード 9781442631045
  • DDC分類 720.94509043

Full Description

During the fascist years in Italy, architecture and politics enjoyed a close alliance. Benito Mussolini used architecture to educate the masses, exploiting its symbolic prowess as a powerful tool for achieving political consensus.

Mussolini, Architect examines Mussolini in Italy from 1922 to 1943 and expands the traditional interpretations of fascism, advancing the claim that Mussolini devised and implemented architecture as a tool capable of determining public behaviour and influencing opinion. Paolo Nicoloso challenges the assertion that Mussolini was of minimal influence on Italian architecture and argues that in fact the fascist leader played a strong role in encouraging civic architectural development in order to reflect the totalitarian values of the period. Drawing on archival documents, Nicoloso lists the architects who gave Mussolini ideas and describes the times when the dictator himself sometimes picked up a pencil and suggested changes.

Examining the political, social, and architectural history of the fascist period, Mussolini, Architect gives careful attention to the final years of fascist rule in order to demonstrate the extent to which Mussolini was intent on shaping Italy and its citizens through architectural projects.

Contents

Acknowledgments
Abbreviations

Introduction

Chapter One: Travelling to See the Buildings

The Myth of the Duce as an Inaugurator
Building and Fighting
Buildings Built to "Endure"
In the City Where Fascism Was Born
Architects in the Dictator's Entourage

Chapter Two: Mussolini's Rome

The Third Rome
Demolishing "with No Holds Barred"
The Alert Eye
Visits to Building Sites in Rome
Architecture and the Legacy of Fascism
Rome, "Kingdom of the Unexpected"
Rome and Berlin: Parallel Action
The North-South Imperial Axis

Chapter Three: At Palazzo Venezia

The Success of the Exhibition of the Fascist Revolution
Restoring Augustus
Doubts about Terragni
The Rejection of Brasini's Grandiose Architecture
Mussolini's Oversights
Architecture for a Politics of Domination
Ponti's Suggestions
"Rendering unto Caesar What Is Caesar's"
Moretti instead of Piacentini?

Chapter Four: In the Architect's Shoes

The Duce Approves
The Man with the Diktats
With Pencil in Hand
Advising the Architects
Zigzagging Forward
"I'm an Expert on Architecture"

Chapter Five: Piacentini and Mussolini

The Architect of the Littorian Order
A Special Rapport
Committed to the Party
Side by Side
In Praise of Organizational Perseverance

Chapter Six: Architecture Towards a Style

In Rome's Città Universitaria
"Life Today" Requires a "Unity of Direction" in Architecture, Too
The E42 and the Matter of Style
The Swing Towards Classicism
At the E42 "History is Built"
Terragni's Challenge, Pagano's Silence, Bottai's Dissent

Chapter Seven: The Totalitarian Acceleration and Architecture

Architecture for the Myths of the Totalitarian State
Piacentini's Architectural Unity
For Imperial Rome
The 1941 "Variante" of Rome's Urban Development Plan
Hitler's Plan for Imperial Berlin
For Imperial Milan
A National "Unity of Direction"
A Private Monopoly in a Totalitarian Regime

Conclusion

Index of Names and Subjects
Index of Places

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