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Full Description
As portrayals of heroic women gain ground in film, television, and other media, their depictions are breaking free of females as versions of male heroes or simple stereotypes of acutely weak or overly strong women. Although heroines continue to represent the traditional roles of mothers, goddesses, warriors, whores, witches, and priestesses, these women are no longer just damsels in distress or violent warriors.
In Heroines of Film and Television: Portrayals in Popular Culture,award-winning authors from a variety of disciplines examine the changing roles of heroic women across time. In this volume, editors Norma Jones, Maja Bajac-Carter, and Bob Batchelor have assembled a collection of essays that broaden our understanding of how heroines are portrayed across media, offering readers new ways to understand, perceive, and think about women. Contributors bring fresh readings to popular films and television shows such as The Girl with the Dragon Tattoo, Kill Bill, Buffy the Vampire Slayer, Weeds, Mad Men, and Star Trek.
The representations and interpretations of these heroines are important reflections of popular culture that simultaneously empower and constrain real life women. These essays help readers gain a more complete understanding of female heroes, especially as related to race, gender, power, and culture. A companion volume to Heroines of Comic Books and Literature, this collection will appeal to academics and broader audiences that are interested in women in popular culture.
Contents
Acknowledgments
Introduction
I. Heroines on Television
Chapter 1: The Erotic Heroine and the politics of gender at work: A feminist reading of Mad Men's Joan Harris, Suzy D'Enbeau and Patrice M. Buzzanell
Chapter 2: Burn One Down: Nancy Botwin as (Post)Feminist (Anti)Heroine, Katie Snyder
Chapter 3: Choosing Her "Fae"te: Subversive Sexuality and Lost Girl's Re/evolutionary Female Hero, Jennifer K. Stuller
II. Heroines on Film
Chapter 4: Torture, Rape, Action Heroines and The Girl with the Dragon Tattoo, Jeffrey A. Brown
Chapter 5: The Maternal Hero in Tarantino's Kill Bill, Maura Grady
Chapter 6: We've Seen this Deadly Web Before: Repackaging Femme Fatale & Representing Superhero(in)e as Neo-noir 'Black Widow' in Sin City, Ryan Castillo and Katie Gibson
Chapter 7: Romance, Comedy, Conspiracy: The Paranoid Heroine in Contemporary Romantic Comedy, Pedro Ponce
Chapter 8: Conflicted Hybridity: Negotiating the Warrior Princess Archetype in Willow, Cassandra Bausman
Chapter 9: The Woman Who Fe
