Full Description
This is an alternative history of rock music, from a Latino/Hispanic perspective, which focuses on the story of the rock genre with an emphasis on identity politics. "Rock the Nation" amounts to a first-time-ever scholarly study of Latino/Hispanic identity through an examination of the history of rock 'n' roll music by linking Latin Rock from the U.S. with Latin Rock music from Latin America. As the author argues, the developments of both U.S.-based Latin Rock music and non-U.S. Latin Rock illuminate several contemporary issues and reveal interesting paradoxes with regard to identity politics (e.g., language, culture, race, class, gender and nationality). Music in Spanish has been used to resist English and the imposition of mainstream U.S. culture in general; yet for Latin Americans, singing in English and adopting U.S. popular culture has allowed youth to resist the hegemonic nationalisms of their own countries (i.e., countering notions of U.S. cultural imperialism). Therefore, in both U.S.-
Latin Rock and Latin American Rock music, the rock 'n' roll genre reveals how Latino/a youth use rock music for achieving assimilation to mainstream culture(s) at the same time that they resist the hegemony of dominant culture(s).
Contents
Preface - by either Deborah Pacini Hernandez or Josh Kun; Chapter 1: Introduction - On Latinos/Hispanics in the U.S.; Chapter 2: Border Radio as Public Discourse and the Beginning of Multi-Cultural America (1930-1960); Chapter 3: The "Original Chicano" and the "Latin Rock Diaspora" (1940-1970); Chapter 4: Latinos in the Garage: The Importance of Latino/as in the Rock 'n' Roll Era and the Garage Rock Era (1963-1967); Chapter 5: "Ondas," and the Latin Rock Diaspora (1970-1990); Chapter 6: Los Lobos and Cafe Tacuba (1990s); Chapter 7: The 1990s, 2000 and Beyond; Bibliography, Appendix, Index.
