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基本説明
Sinnerbrink not only provides lucid critical analyses of the exciting developments and contentious debates in the new philosophies of film, but also showcases how a pluralist film-philosophy works in the case of three challenging contemporary filmmakers: Terrence Malick, David Lynch, and Lars von Trier.
Full Description
This title gives a critical exploration of analytic and Continental philosophies of film, which puts film-philosophy into practice with detailed discussions of three filmmakers. The relationship between film and philosophy has become a topic of intense intellectual interest. But how should we understand this relationship? Can philosophy renew our understanding of film? Can film challenge or even transform how we understand philosophy? "New Philosophies of Film" explores these questions in relation to both analytic and Continental philosophies of film, arguing that the best way to overcome the mutual antagonism between these approaches is by constructing a more pluralist film-philosophy grounded in detailed engagement with particular films and filmmakers. Sinnerbrink not only provides lucid critical analyses of the exciting developments and contentious debates in the new philosophies of film, but also showcases how a pluralist film-philosophy works in the case of three challenging contemporary filmmakers: Terrence Malick, David Lynch, and Lars von Trier.
"New Philosophies of Film" thus puts interdisciplinary inquiry on film and philosophy into practice, and should be of great interest to students and researchers working across the disciplines of philosophy, film theory, and cultural studies.
Contents
Introduction: Why Philosophy of Film Now?; Part I: The Analytic-Cognitivist Turn; 1. The Empire Strikes Back: From "Grand Theory" to the New Film Ontology; 2. The Bad and the Beautiful: Narrative, Character Engagement, and Genre; 3. Artificial Intelligence: Cognitivism Goes to the Movies; Part II: The 'Continental'-Romantic Paradigm; 4. From Ontology to Appreciation: Cavellian Romanticism; 5. Time, Affect, and the Brain: Deleuzian Cinematic Thinking; 6. Who's Afraid of Ideology Critique? The New Political Film Aesthetics; Part III: Cinematic Thinking; 7. From Badlands to New Worlds: Terrence Malick's Cinematic Poetry; 8. Cinematic Ideas: David Lynch as Film-Philosopher; 9. Beyond Dogme: Lars von Trier's Romantic Irony; Conclusion: From Philosophy of Film to Film-Philosophy; Filmography; Bibliography; Index.
