新ドキュメンタリー映画史(第2版)<br>A New History of Documentary Film : Second Edition (2ND)

個数:

新ドキュメンタリー映画史(第2版)
A New History of Documentary Film : Second Edition (2ND)

  • 在庫がございません。海外の書籍取次会社を通じて出版社等からお取り寄せいたします。
    通常6~9週間ほどで発送の見込みですが、商品によってはさらに時間がかかることもございます。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合がございます。
    2. 複数冊ご注文の場合、分割発送となる場合がございます。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 448 p./サイズ 70 illus., 50 in colour.
  • 言語 ENG
  • 商品コード 9781441124579
  • DDC分類 070.18

基本説明

This Second Edition weaves three new threads - Experimental Documentary, Visual Anthropology and Environmental/Nature Films - into the discussion.

Full Description

A New History of Documentary Film, Second Edition offers a much-needed resource, considering the very rapid changes taking place within documentary media. Building upon the best-selling 2005 edition, Betsy McLane keeps the same chronological examination, factual reliability, ease of use and accessible prose style as before, while also weaving three new threads - Experimental Documentary, Visual Anthropology and Environmental/Nature Films - into the discussion. She provides emphasis on archival and preservation history, present practices, and future needs for documentaries. Along with preservation information, specific problems of copyright and fair use, as they relate to documentary, are considered.
Finally, A History of Documentary Film retains and updates the recommended readings and important films and the end of each chapter from the first edition, including the bibliography and appendices. Impossible to talk learnedly about documentary film without an audio-visual component, a companion website will increase its depth of information and overall usefulness to students, teachers and film enthusiasts.

Contents

Preface
Chapter One: Some Ways To Think About Documentary
Description
Definition
Intellectual Contexts
Pre-Documentary Origins
Books On Documentary Theory And General Histories of Documentary

Chapter Two: Beginnings: The Americans And Popular Anthropology, 1922-1929
The Work Of Robert and Frances Flaherty
The Flaherty Way
The Flaherty Legacy
Films Of The Period
Books On The Period

Chapter Three Beginnings: The Soviets And Political Indoctrination, 1922- 1929
Reportage/Newsreel
Compilation
Epic
Fiction and Documentary
The Fiction Films
Films Of The Period
Books On The Period

Chapter Four Beginnings: The European Avant-Garde Experimentation, 1922-1929
Aesthetic Predispositions
Avant-Garde And Documentary
Changes In The Avant-Garde
Three City Symphonies
Films Of The Period
Books On The Period

Chapter Five Institutionalization: Great Britain, 1929-1939
Background And Underpinnings
The System
The Films
Grierson And Flaherty
Grierson's Contribution
Films Of The Period
Books On The Period

Chapter Six Institutionalization United States, 1930-1941
The March Of Time
Government Documentaries
Nongovernment Documentaries
Conclusions
Denouement
An Aside To Conclude
Films Of The Period
Books On The Period

Chapter Seven WW II
Part A: Great Britain
Early Days
Indoctrination
Social Documentary
Records Of Battle
Part B: Canada
Founding Of National Film Board
Theatrical Series
Nontheatrical Films
Summary
Part C: United States
Training
Indoctrination Why We Fight
Records of Battle
Social Documentary
Comparisons: Great Britain, Canada, United States
Films Of The Period
Books On The Period

Chapter Eight Postwar Documentary, 1945-1961
Personnel And Leadership
Sponsorship
USIA Films
Canada
Subjects
Internationalism
Approaches And Techniques
Observations
Films Of The Period
Books On The Period

Chapter Nine Documentary For Television, The "Golden Years," 1951-1971
Historical Background
Documentary Series
The Special Characteristics Of Early Television Documentary
Films Of The Period
Books On The Period

Chapter Ten British Free Cinema And New American Cinema, 1953-1960
Critical Background
Free Cinema Films
The United States
Films Of The Period
Books On The Period

Chapter Eleven Cinéma Vérité, Direct Cinema, 1958-1970
Historical Background
New Technology And First CV/Direct
Direct Cinema Vs. Cinéma Vérité
Effects On Documentary Subjects And Styles
Frederick Wiseman
Conclusion
Films Of The Period
Books On The Period

Chapter Twelve Power Of The People, The 1970s
Some Established Filmmakers
New Directions In Vérité
Political Emphases and Vietnam
Newsreel Collectives
Feminist Resurgence
Challenge for Change
Public Access Television
Other Emerging Organization
Films Of The Period
Books On The Period

Chapter Thirteen Video Arrives, 1980 - 1990s
Cable and Satellite Technology
Personal Essay Film
Compilation
Strictly Political
Social and Ethnic Minorities
Representing Gay and Lesbian Culture
Films Of The Period
Books On The Period

Chapter Fourteen Reality Bytes
Business and Technology: The Bad and The Good
American Public Television
Archival Documentary
The Ken Burns Phenomenon
Canada Soldiers On
Development in the U.K.
American Independents
Films Of The Period
Books On The Period

Chapter Fifteen Documentary Traditions in the Twenty First Century
Werner Herzog
Steve James and others
Erroll Morris
Women Documentarians
Experimental Documentary
Theaters and Festivals
Films Of The Period
Books On The Period

Chapter Sixteen Now and When
Aesthetics And Content
Finance
Documentary Un-Reality
Intimate Doings Of Reality
Academic Approaches
Emergent Technologies
Social Media
Commitment to History
Conclusion
Films Of The Period

Appendices
TOP 25 Theatrical Grossing Documentaries
TOP 10 Theatrical Grossing Sports Documentaries

Index

最近チェックした商品