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Full Description
Examines how philosophical concepts like free will, personal identity, and goodness are given an artistic life in films and television programs.
Is Harpo Free? is a lively appreciation of film and television's ability to artistically explore concepts typical of philosophical metaphysics, such as free will, causality, and personal identity. Rather than using films and television programs as vehicles for philosophical arguments, the book instead celebrates the artistic ways in which they give life to various metaphysical concepts and how the artistic expression of these concepts and ideas helps us understand ourselves, the world, and our place within it. Through close analysis of a varied selection of works and their use of narrative, form, and style, Is Harpo Free? exemplifies a novel approach to appreciating the philosophical substance of films and television programs. Films and television programs discussed include A Night at the Opera; Run, Lola, Run; Shane; Harvey; Three Colours: Blue; The Americans; Dark; and Fargo.
Contents
List of Illustrations
Acknowledgments
Prelude: Is Harpo Free? Four Ways
1. What Is the Metaphysical Screen? Artistic Form, Content, and Philosophy
2. Can Lola Choose? Causality, Contingency, and Narrative Form
3. Is Shane Virtuous? Goodness and Telos in the World of the American Western
4. How Does Julie Grieve? Qualia and the Texture of Subjective Experience
5. Who Are Elizabeth and Philip Jennings? Narrative and Personal Identity
6. What Can Film and Television Do? Narrative, Mimesis, and Wonder
Afterword: What Does Jerry Do? The Riddle of Selection and the Metaphysics of Performance
References
Index
