The Sound of Zizek : Musicological Perspectives on Slavoj Zizek (Zizek Studies 2) (2023. XVI, 180 S. 4 Abb. 225 mm)

個数:

The Sound of Zizek : Musicological Perspectives on Slavoj Zizek (Zizek Studies 2) (2023. XVI, 180 S. 4 Abb. 225 mm)

  • オンデマンド(OD/POD)版です。キャンセルは承れません。

  • 提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合が若干ございます。
    2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版/ページ数 180 p.
  • 言語 ENG
  • 商品コード 9781433178986

Full Description

Over the last three decades Slavoj Žižek has become an iconic figure of intellectuel engagé and his works have engendered ongoing reflection within as different academic disciplines as philosophy, literature or cultural, gender, postcolonial and film studies. But when it comes to music, things look different.

With an emphasis on the German modernist tradition from Wagner to Schönberg, a whole range of references to music are scattered throughout Žižek's copious body of works. However, these efforts seem to go almost unnoticed within academia - at least on first glance. Looking more closely, one notices a subtle but nevertheless consistent adoption of Žižek's theories within musicology, spreading across a broad range of topics and approaches. So, Žižek has become part of musicology, even if his presence is still uncharted territory.

The present volume, which appeals to musicologists and philosophers alike, intends to map different ways in which Žižek's philosophy has been adopted in order to approach many of musicology's core questions, from musical analysis to the opera studies, from contemporary music to the history of the discipline itself. At the same time it both reflects on and questions Žižek's positions on musical aesthetics as expressed in his writings. Last but not least, the volume also features two essays by Žižek himself, reflecting his different approaches to writing about music.

Contents

Mauro Fosco Bertola: Foreword: If Žižek Be the Food of Musicology - Mauro Fosco Bertola: Introduction: Slavoj Žižek's Aesthetics of Music. From Romanticism to Modernism - Carlo Lanfossi: Musicology's Second Death(s) - Amy Bauer: The Sublime Object of Music Analysis - Slavoj Žižek: C Major or E- Flat Minor? No, Thanks! Busoni's Faust- Allegory - Mauro Fosco Bertola: Post- Kantian Dreams. Kaija Saariaho's Operatic Ontology and Its Dreamscapes in L'amour de loin - Jelena Novak: Singing in the Age of Capitalist Realism. The Pervert's Guide to (Post)Opera - Samuel J. Wilson: Cage, Reich, and Morris: Process and Sonic Fetishism - Slavoj Žižek: Subjective Destitution in Art and Politics - Contributors.

最近チェックした商品