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Full Description
Failure and Ethics in Contemporary American Literature contends that failure is both a response to the social and economic conditions of neoliberalism and a site of ethical imagining where alternative modes of being and being together are proposed. Daniel Dufournaud capaciously construes failure to include performing badly, unhappiness and dysphoria, family dysfunction, and formal discontinuity. He contends that the function of failure in contemporary American literature resonates with the ethical philosophy of Emmanuel Levinas. For Levinas, the self emerges as a conscious subject only through the imposition of the Other, a preconscious sequence that installs responsibility for others at the heart of selfhood. Levinas frames the suspension of egoism and the self's concomitant awareness of its constitutive responsibility as an interruption. Similarly, this study's primary texts treat failure as an interruption that forces the self to acknowledge its foundational sociality, an acknowledgement that contests neoliberalism's individualist protocols.
Contents
Acknowledgements
Introduction: What is an Interruption?
1. Otherwise than Entrepreneurial Subjectivity: Performing Badly in Don DeLillo's Cosmopolis and Quiara Alegría Hudes's Water by the Spoonful
2. Optimism and Infinity: Emotional Negativity and Gestural Alterity in Claudia Rankine's Poetry
3. Dwelling with(out) Others: Family Dysfunction in Joseph O'Neill's Netherland and Tony Kushner's Angels in America
4. The Knots of Realism: Formal Discontinuity and Parataxis in Karen Tei Yamashita's Tropic of Orange and Rachel Kushner's The Flamethrowers
Coda: Failure as Praxis; or, Agency Interruption
Notes
Bibliography
Index
