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Full Description
How have image-makers of colour explored white societies, cultures and practices? This book takes as its case studies films, TV shows and photography that treat whiteness, in all its complexities, not as an unmarked and naturalised position from which to speak, but as an object of inquiry and sustained scrutiny. International in both authorship and critical scope, Black Image Making and Whiteness disrupts Eurocentric perspectives to ask: what happens when white people are seen as the Other?
Contents
List of figures
Notes on Contributors
Acknowledgements
1. Introduction
Thomas Austin
2. 'Green Like Me'
Jane M. Gaines
3. 'Where's that gotten us?': Horace Ové's Pressure and the Fallacy of White Respectability,
Kwame Phillips
4. Black and White in Colour: Looking Across Race in Spike Lee's Clockers and Summer of Sam
Thomas Austin
5. 'Robbing the stage': Race, Class and Gender in Alice Diop's La Mort de Danton
Thomas Austin
6. Tarrying with Whiteness: Humility and the Indecisive Moment in the Work of Rosine Mbakam and Johny Pitts
Finn Daniels-Yeomans
7. Whiteness, Gender and Uncomfortable Identification in Jordan Peele's Get Out
Joy McEntee
8. Estranging Homophilic Perspectives in Contemporary US Cinema: Blindspotting and Us
Zélie Asava
9. How I May Destroy You Reinvents Rape Television
Caetlin Benson-Allott
10. 'White is Where you are': Post-imperial Europe and white aesthetics in Atlanta season 3
James Harvey
11. I'm A Virgo: A Critique of White Cultural and Economic Hegemony
Andrew Stubbs-Lacey
12. Steve McQueen's Grenfell
Thomas Austin



