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Full Description
For the first time in the history of cinema, Turkey witnesses a generation of female directors who occupy their own space within the New Cinema Movement. They claim an authority of their own and create a distinct cinema. However, recent scholarship on the cinema of Turkey predominantly conceptualises contemporary cinema in relation to the patriarchal discourse of male auteurs and recognises its female directors in a tokenistic manner. This book is the first academic work recognising this historical moment - the flourish of a women's cinema in Turkey which disrupts the dominant discourses and brings another view to look at the post-millennial cinema. This study identifies the new production methodologies used by the contemporary female directors from Turkey in relation to socio-political and cultural dynamics and conceptualises these features under the term, 'Women's New Cinema'. It also undertakes feminist textual exegesis of selected case studies in these directors' work.
Contents
Acknowledgments
List of Figures
Introduction: Şehnaz, Elmas, Mina, and the Others Who Kill the Angel in Their Houses
1. Burning Down the House: The Snapping Female Figure and Her Haphazard Wanderings
2. Companions of Nesibe: Female Representation in Women's New Cinema
3. Her Resistance is Many: The Accented Filmmaking Practice in Women's New Cinema
4. "The Master's Tools Will Never Dismantle the Master's House": The Political Aesthetics of Women's New Cinema
5. "Because Of Her, We Can": Subjectivity and Collectivity in Women's New Cinema
6. Her Existence is Resistance: Being A Female Director in the Turkish Film Industry
Afterword: Filmmaking is Not a Luxury
References
Filmography
Index
