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Full Description
While sizable literature exists on the themes, issues and voices that constitute resistance in historical Indian documentary cinema, less is known about contemporary modes of resistance in Indian documentary. This volume identifies languages and practices of resistance constructed by Indian documentary practitioners located in contemporary global and national contexts organised by majoritarian political discourse, rising social inequalities, tightening media regulatory mechanisms and variable access to digital technologies. Extending its analytical lens beyond textual politics, the volume offers an original conceptualisation of how we identify, mobilise, and recuperate acts of resistance as both represented in documentary and those represented by the organisation of documentary practice e.g., documentary exhibition, curation, education, and criticism. Combining scholarly essays and practitioner writing, the volume offers a timely reconsideration of how central debates and issues of power and representation in documentary may be studied as objects of analysis and as subjective accounts of individual experience, decisions, and actions relating to documentary aesthetics and practice.
Contents
Contributor Bios
List of Abbreviations
Introduction: Resistance in the digitised present - Shweta Kishore and Kunal Ray
Part 1 Critical perspectives on documentary aesthetics and form
Chapter 1. The corporeality of homelessness in Cities of Sleep: social aesthetics and an unreliable narrator - Shweta Kishore
Chapter 2: "Canine Spaces": Kolkata's Slum Dogs - Veena Hariharan
Chapter 3: "Threadbearing": Journeys with our Subjects and our Documentary Narratives - K P Jayasankar and Anjali Monteiro
Part II Representation of lived experience
Chapter 4: Personal is Political: Documentary and Intimacy - Shabnam Sukhdev
Chapter 5: Making films from and about the Margins - Lipika Singh Darai
Chapter 6: Against all odds - a filmmaker's quest to make films in North-East India - Haobam Paban Kumar
Chapter 7: Experiencing and Representing Conflict: Encounters of a Kashmiri Filmmaker - Raja Shabir Khan
Chapter 8: Documentary & Oppositional Bahujan Agency - Jyoti Nisha
Part III Resistance in practice
Chapter 9: Curating Documentary Film and Video Art in a Museum: Reflections from Loss and Transience - Rashmi Devi Sawhney & Lucía Imaz King
Chapter 10: Working with Time: Editing the Documentary - Sameera Jain
Chapter 11: Cultural Documentary: Dialogues Between Aesthetics and Society - Ein Lall
Chapter 12: The Politics of Image Making - R V Ramani
Chapter 13: Two Starting Points: The Sonic in my Films -Yashaswini
Chapter 14: Conversations, Confusions, Confessions: Living with and Working in Cinema - Anupama Srinivasan
Chapter 15: About Critique: Indian Media & Documentary Cinema - Kunal Ray & Mochish KS
Epilogue: On Building Documentary Cultures of Resistance, An interview with K.P. Jayasankar and Anjali Monteiro
