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Full Description
Over his four-decade long career, Abel Ferrara has built himself a reputation as one of the most audacious and unconventional filmmakers in contemporary cinema. After his beginnings in the exploitation circuit of the late 1970s he become one of the central figures in the indie wave of the 1980s and 90s and is now an established arthouse director whose versatile oeuvre crosses the boundaries of cult, independent and Hollywood cinema.
ReFocus: The Films of Abel Ferrara offers a comprehensive critical survey of the director's work. The volume brings together a broad range of methodological, theoretical, historical and philosophical perspectives on Ferrara's work, and case studies include Ms 45, The Driller Killer, Bad Lieutenant, Pasolini and Welcome to New York.
Contents
List of Figures
Notes on the Contributors
1. The Many Lives of a Filmmaker: Approaching Abel Ferrara
Florian Zappe
Part I: Art and Authorship
2. The Driller Killer: Artistic Precarity in the Downtown Scene
Gillian McIver
3. Ferrara's Polarising Critical Reception: Clarity, Coherence, and Incongruity
Matthew Cipa, Ted Nannicelli and Joel Fantini
4. Abel Ferrara, Film Genres and Independent Film: From Horror to Gangsters
Vicente Rodríguez Ortega
5. Falling in Love Without Falling in Love: Abel Ferrara's New Rose Hotel
Steven Shaviro
6. Gestures of Refusal: Abel Ferrara, Pier Paolo Pasolini, and the Ethos of Authenticity
Florian Zappe
Part II: Sex and Gender
7. The Horny Auteur: Abel Ferrara's Pornographic Debut
Joshua Heaps
8. Embodied Critiques: Welcome to New York, Sexual Crimes, and Cinema's Unanswerability
Todd Jurgess
Part III: The Sacred and the Profane
9. "What Was She Doing on My Show?": Abel Ferrara's Mary
Brad Stevens
10. The Italian American Provocateur: Catholicism, Women, and Sexual Violence in the Films of Abel Ferrara
Margherita Sprio
11. Dionysian Acts, Apollonian Pacts: The Anti-Nietzschean Cinema of Abel Ferrara
Amin Haidari
Index
