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Full Description
World-renowned South Korean directors, including Park Chan-wook and Bong Joon Ho, cite Kim Ki-young as being the greatest Korean influence on their work. During his thirty year career, Kim Ki-young produced thirty-three films and became revered by critics within the national and international community as one of the few South Korean 'auteurs'.
As the first comprehensive scholarly volume on Kim Ki-young in English, ReFocus: The Films of Kim Ki-young covers his entire career and history of cinematic work, highlighting the thematic and stylistic singularity of Kim's oeuvre, which was produced relative to the specific historical and cultural conditions of post-war South Korea. It offers an innovative departure point from which to explore South Korean film relative to the wider history of world cinema, in addition to situating Kim's work within the broader fields of Korean modern history, transnational cinema and cultural studies.
Contents
List of Figures
Notes on Film Titles, Romanization of Korean Names, and Film Festival
Acknowledgement
Notes on Contributors
Introduction: Kim Ki-young, The First Global South Korean Auteur - Chung-kang Kim
Part 1: Beyond the Border: Transnational/Hybridity/Border-Crossing
1. Kim Ki-young at the Intersection of Cold War Alliance, Reconstruction, and the Artistic Impulse - Han Sang Kim
2. 'We Shall All Need That Basket/A-Frame Carrier' A Comparative Analysis of Goryeojang (1963) and Ballad of Narayama (1958/1983) - Kyu Hyun Kim
3. Love Thy Enemy: Kim Ki-young's exploration of Korean-Japanese romance in The Sea Knows (1961) - Russell Edwards
Part 2: Beyond the Norm: Psychology, Biopolitics, and Sexuality
4. Refiguring The Housemaid (1960)'s Singularity: from Dualism to Triadism Based on the Lacanian Perspective - Sohyoun Kim
5. Men, Women, and the Electric Household: Kim Ki-young's Housemaid Films - Steve Choe
6. To Speak and To Be Spoken For: Deafness, Stuttering and the Women in the Films of Kim Ki-young - Ariel Schudson
Part 3: Becoming an (Global) Auteur
7. The Intersection of Authorship and Film Regulation During the Period of Military Rule: An Analysis of Kim Ki-young's National Policy Films, Soil (1978) and Water Lady (1979) - Molly Kim
8. Rediscovering Kim Ki-young: The Rise of the South Korean Auteur on the Film Festival Circuit - Jason Bechevaise
Appendix
