エディンバラ版 文学とサウンド研究必携 The Edinburgh Companion to Literature and Sound Studies (Edinburgh Companions to Literature and the Humanities)

Groth, Helen (EDT)/ Murphet, Julian (EDT)

Edinburgh University Press（2024/02発売）

Edinburgh University Press（2024/02発売）

• 製本 Hardcover:ハードカバー版／ページ数 432 p.
• 言語 ENG
• 商品コード 9781399502306
• DDC分類 534

Full Description

Collections on sound studies have seldom explored the vexed relationship between literature a medium largely defined by its silence and the dynamics and technologies of sound. This Companion is designed to help sound studies scholars grapple with the auditory capacities of text and encourage literary scholars to take full cognisance of the rich soundscapes mapped, or created, by texts read quietly. The essays assembled here consider a broad range of sound studies topics, including music in writing; the inscription of listening; worlding through sound; military and industrial noise; the gender of sound; racialised soundscapes; theatrical sounds; literature and sound media; and sonic epistemology. Helen Groth and Julian Murphet present a comprehensive set of new research on the relationship between sound and writing over time from a range of eminent, established and emerging sound studies scholars.

Contents

List of Figures

Introduction

Helen Groth and Julian Murphet

Part I: Literature, Listening, Sounding

1. The Sound a Sentence Makes: On Poetry, Judgement, and Hearing

Astrid Lorange

2. The Limits of Listening: Riotous Women, Imperial Structures, and Sonic Archives

Helen Groth

3. PIANO/Forte: Writing Audible Space, Jane Austen, Dorothy Richardson, and Others

David Toop

4. Oralities, Literacies, and the Xenophobic Fallacy

Richard Cullen Rath

Part II: Literature, Music, Performance

5. Notes to Literature: Scores as Musical Reproduction in the Literary Text

Tamlyn Avery

6. Sound Agonistes: Music and the Economy of Sacrifice in Sound Studies

Miranda Stanyon

7. Shakespeare's Vibrant Theatres

Bruce R. Smith

8. 'Imaginative and musical mixtures of sounds': Rap, Patter, and Hyper Diction in Musical Theatre

Tamsen O. Wolff

Part III: Literature, Voice, Acousmatics

9. 'Let it resound': 'Lift Every Voice and Sing' as Sonic Witness

Noelle Morrissette

10. Sound Media, Race, and Voice

Sam Halliday

11. The Acousmatics of Prison Writing

Julian Murphet

12. Aural Anxiety and Rurality in Women's Second World War Writing

Imogen Free

Part IV: Literature, Media, Coded Sound

13. Sound Technology and US Fiction in the Postwar Era: The Ethics and Aesthetics of Cross-Racial Listening

K. C. Harrison

14. Coded Sound: Reading in the Age of Networked Media

Justin St. Clair

15. Media Affordances of Literary Audio: Interrelations of Format and Form

Jason Camlot

16. OH-EE-OH-EE-OH-EE-AW-EE-AW!: Sound Descriptors in the Books of Tarzan as Facilitators of Presence

Mark Grimshaw-Aagaard

Part V: Literature, War, Industry

17. An Auditory History of Early Modernity: Listening to Enlightenment and Industry in Britain, 1700-1900

Peter Denney

18. 'This is/not was': The Violence of Circulation and the Sonics of Submerged Language

Andrew Brooks

19. Shriek and Hum: Industrial Noise and Productivity

David Ellison

20. A Critical Poetics of Warfare

Mark Byron

21. The Great War: Sonic Fragments in Literature and Sound Studies

Michael Bull

Part VI: Literature, Sonic Epistemology, Language

22. Sonic Epistemologies

Holger Schulze

23. The Cultural Poetics of a Buoyancy Sound from Amazonian Ecuador

Janis Nuckolls

24. Havoc Ornithologies

Jody Berland

Notes on Contributors

Index