シェイクスピアと初期近代英語演劇における鏡 Mirrors in Shakespeare and Early Modern English Drama : Power, Gender and the Magic of the Theatre (Arden Studies in Early Modern Drama)

シェイクスピアと初期近代英語演劇における鏡<br>Mirrors in Shakespeare and Early Modern English Drama : Power, Gender and the Magic of the Theatre (Arden Studies in Early Modern Drama)

個数：

ポイントキャンペーン

シェイクスピアと初期近代英語演劇における鏡
Mirrors in Shakespeare and Early Modern English Drama : Power, Gender and the Magic of the Theatre (Arden Studies in Early Modern Drama)

Finger, Valentina

ウェブストア価格 ¥24,006（本体¥21,824）
The Arden Shakespeare（2026/02発売）
外貨定価 US$ 110.00
【ウェブストア限定】洋書・洋古書ポイント5倍対象商品（～2/28）
ポイント 1,090pt

提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
【重要ご説明事項】
1. 納期遅延や、ご入手不能となる場合が若干ございます。
2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
3. 美品のご指定は承りかねます。

●3Dセキュア導入とクレジットカードによるお支払いについて

【入荷遅延について】
世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。

◆画像の表紙や帯等は実物とは異なる場合があります。

◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
また、洋書販売価格は、ご注文確定時点での日本円価格となります。
ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。

製本 Hardcover:ハードカバー版／ページ数 264 p.
言語 ENG
商品コード 9781350535008
DDC分類 822.33

Full Description

Mirrors in the early modern playhouse function as figures of theatricality, reflecting gender dynamics and challenging sovereign power, in this open-access study of their use as stage props and rhetorical devices in plays by Shakespeare and his contemporaries.

Combining approaches from literary studies and performance studies with extensive research into material history, Valentina Finger highlights the rich complexity of mirrors and acts of mirroring on the early modern stage. The case studies in this book traverse myths of monarchs and imperial mirrors in Richard II and Macbeth, explore acts of exemplary self-government and court politics in Edward I and Bussy D'Ambois, constitute cosmetic mirrors as canvases for feminine self-authorship in The Duchess of Malfi and The Devil's Charter and illuminate the interplay of scientific knowledge, magic and trick glasses in The Alchemist and A Game at Chess. Within this range of Shakespearean drama and lesser-studied plays by Shakespeare's contemporaries, each chapter examines political and literary history, material and visual culture, as well as gender and power dynamics. Focusing on the roles of mirrors as props and tropes in the early modern playhouse, this book contributes to our understanding of broader cultural, social and religious norms as they were debated in England around 1600.

The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com Open access was funded by the SFB 1369 Vigilanzkulturen (CRC 1369 Cultures of Vigilance) at Ludwig-Maximilians-Universität Munich with resources provided by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation).

Introduction: Staging Mirrors in the Early Modern English Playhouse

Chapter 1. Imperial Mirrors in Richard II and Macbeth

Chapter 2. Exemplary Mirrors in Edward I and Bussy D'Ambois

Chapter 3. Cosmetic Mirrors in The Duchess of Malfi and The Devil's Charter

Chapter 4. Natural-Magic Mirrors in The Alchemist and A Game at Chess

Conclusion: The Mirror Up to Theatre

Bibliography

Index