- ホーム
- > 洋書
- > 英文書
- > Cinema / Film
Full Description
In what innovative ways are women documentary filmmakers seeking to prioritize and promote political awareness, alternative modes of allyship, and advocacy for those most marginalized by patriarchy and global capitalism?
Women and Global Documentary answers the urgent need to re-evaluate the significance of women's documentary practices, their contributions to feminist world-building, and to the state of documentary studies as a whole.
Bringing together a range of diverse practitioners and authors, the volume analyzes alternative and emergent networks of documentary production and collaboration within a global context. The chapters investigate filmmaking practices from regions such as East Africa, Latin America, South Asia, East Asia, the Middle East, and North Africa. They also examine decolonial practices in the Global North based on Indigenous filmmaking and feminist documentary institutions such as Women Make Movies. In doing so, they assess the global, institutional, political, and artistic factors that have shaped women's documentary practices in the 21st century, and their implications for scholarly debates regarding women's authorship, political subjectivity, and documentary representation.
Contents
Introduction - Najmeh Moradiyan-Rizi (Old Dominion University, USA) and Shilyh Warren (University of Texas at Dallas, USA)
I: Documentary Initiatives as Feminist Worldbuilding
1. Women Make Movies Globally Patricia White (Swarthmore College, USA)
2. Transforming Documentary Film Cultures in East Africa: Judy Kibinge and Docubox Lindiwe Dovey (SOAS University of London, UK)
3. Caravan: Rerouting Transnational Feminist Collaboration Networks Amal Shafek (University of Texas at Dallas, USA)
II: Rereading Public and Private Connections through Documentary
4. Feminist Animated Documentary: New Ways of Confronting Violence against Women Shilyh Warren and Christine Veras (University of Texas at Dallas, USA)
5. Affective Relations and First-Person Enunciation: Daughters/Filmmakers Reformulate the Latin American Documentary Lorena Cervera (Arts University Bournemouth, UK)
6. Politicizing Familial Space: Women's Post-Fukushima Documentaries as the Creation of Counterpublics Wakae Nakane (University of Southern California, USA)
III: Reimagining Documentary Activism
7. Iranian Women's Biographical Documentaries as Sites of Recognition and Advocacy: An Ecofeminist Reading Najmeh Moradiyan-Rizi
8. Que se vayan ellos: Beyond Resilience in Puerto Rican Social Justice Documentary Zaira Zarza (University of Montreal, Canada)
9. The Art of Work Is a Work of Art: Feminist Theater and Live Documentary Kim Munro (University of South Australia, Australia)
IV: Documentary Voice and Feminist Perspectives
10. "Are We on the Same Page Here?": Moving Beyond "Us" and "Them" in nîpawistamâsowin: We Will Stand Up and Kímmapiiyipitssini: The Meaning of Empathy Gail Vanstone (York University, UK)
11. Making Documentary Media: Approaches to the Deep Image Aparna Sharma (University of California, Los Angeles, USA) and Priya Sen (Documentary Filmmaker, New Delhi, India)
12. Feminism as Documentary Method: A Conversation Irene Lusztig (University of California, Santa Cruz, USA), Hannah Jayanti (Documentary Filmmaker, USA), Noor Afshan Mirza (Independent Filmmaker, UK), Rosa-Johan Uddoh (Interdisciplinary Artist, UK), Andrea Luka Zimmerman (Independent Filmmaker, Fugitive Images, UK)
References
Index
