映画とインドの国家非常事態 Cinema and the Indian National Emergency : Histories and Afterlives (World Cinema)

映画とインドの国家非常事態<br>Cinema and the Indian National Emergency : Histories and Afterlives (World Cinema)

個数：

ポイントキャンペーン

映画とインドの国家非常事態
Cinema and the Indian National Emergency : Histories and Afterlives (World Cinema)

Patra, Parichay (EDT)/ Ray, Dibyakusum (EDT)

ウェブストア価格 ¥24,125（本体¥21,932）
Bloomsbury Academic（2025/07発売）
外貨定価 US$ 115.00
【ウェブストア限定】サマー！ポイント5倍キャンペーン対象商品（～7/21）※店舗受取は対象外
ポイント 1,095pt

在庫がございません。海外の書籍取次会社を通じて出版社等からお取り寄せいたします。
通常6～9週間ほどで発送の見込みですが、商品によってはさらに時間がかかることもございます。
【重要ご説明事項】
1. 納期遅延や、ご入手不能となる場合がございます。
2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
3. 美品のご指定は承りかねます。

●3Dセキュア導入とクレジットカードによるお支払いについて

【入荷遅延について】
世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。

◆画像の表紙や帯等は実物とは異なる場合があります。

◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
また、洋書販売価格は、ご注文確定時点での日本円価格となります。
ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。

製本 Hardcover:ハードカバー版／ページ数 264 p.
言語 ENG
商品コード 9781350371132
DDC分類 791.430954

Full Description

The Indian National Emergency of 1975 to 1977, saw the suspension of civil liberties, increasing censorship, and extra-judicial state control. It is recognised as one of the most tumultuous periods in the history of postcolonial India, and its socio-political consequences have been exhaustively studied. Despite this, the profound cinematic implications of this event have remained relatively unexplored.

This book examines the strained relationship between the state and the Indian film industry during this 21 month period of political upheaval. Each of the essays, written from a broad range of critical perspectives, consider the various modes of state suppression adopted, from increasing levels of film censorship to police surveillance of film productions and exhibitions.

Contributors analyse controversial films such as Aandhi (1975) and Nasbandi (1978), which were banned for the duration of the Emergency, and overtly political films such as Kissa Kursi Ka (1977), the prints of which were permanently confiscated owing to the film's criticisms of the state. They also consider the political and aesthetic dilemmas of state-sponsored films such as Ashadh Ka Ek Din (1971), which was made to be explicitly apolitical and came to be known as a key work of New Indian Cinema.

Contributors

List of Illustrations

Acknowledgements
Foreword
Vinzenz Hediger

Introduction
Dibyakusum Ray & Parichay Patra

1. The Fear of Cinema
Ashish Rajadhyaksha

2. Not by Emergency Alone: An Unending Saga of Political Repression and Content Control
Someswar Bhowmik

3. State: A Patron and a Tyrant: Indian Film Society Movement in 'Emergency' Times
Amrit Gangar

4. The Emergency, FFC/NFDC, and New Cinema in India (1970s)
Sudha Tiwari

5. Between a Logo and a Memo: State-Sponsored Documentary Films During the Emergency
Ritika Kaushik

6. Memories and Mixed-Media: The Event and the Archive
Vinayak Das Gupta & Ananya Juneja

7. 'A Unique Indian Revolution': S. Sukhdev, the Films Division and the Emergency
Vikrant Dadawala

8. The Emergency and Its Media Afterlife
Ranjani Mazumdar

9. In Defense of a Not-So-Political Cinema
Parichay Patra

10. From 'dictatorship' to dictatorship: the dynamics of alien and 'legitimized' authoritarianism in 1980s popular Hindi films
Dibyakusum Ray

11. The Long 1970s: Anjan Dutt as Archive, Some Interfaces
Kaushik Bhaumik