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Full Description
Revisiting Guy Debord's seminal work, The Society of the Spectacle (1967), Eric-John Russell breathes new life into a text which directly preceded and informed the revolutionary fervour of May 1968. Deepening the analysis between Debord and Marx by revealing the centrality of Hegel's speculative logic to both, he traces Debord's intellectual debt to Hegel in a way that treads new ground for critical theory. Drawing extensively from The Phenomenology of Spirit (1807) and Science of Logic (1812), this book illustrates the lasting impact of Debord's critical theory of 20th-century capitalism and reveals new possibilities for the critique of capitalism.
Contents
List of Illustrations
Acknowledgements
Foreword: Heretic Hegelianism, by Étienne Balibar
Introduction
Chapter 1. The Truth of the Spectacle
Chapter 2. The Speculative of the Spectacle
Chapter 3. The Value of the Spectacle
Chapter 4. The Reflection of the Spectacle
Chapter 5. The Essence of the Spectacle
Chapter 6. The Concept of the Spectacle
Appendix: The Society of the Spectacle and Its Time
References