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Full Description
Centering on the British kitchen sink realism movement of the late 1950s and early 1960s, specifically its documentation of the built environment's influence on class consciousness, this book highlights the settings of a variety of novels, plays, and films, turning to archival research to offer new ways of thinking about how spatial representation in cultural production sustains or intervenes in the process of social stratification.
As a movement that used gritty, documentary-style depictions of space to highlight the complexities of working-class life, the period's texts chronicled shifts in the social and topographic landscape while advancing new articulations of citizenship in response to the failures of post-war reconstruction. By exploring the impact of space on class, this book addresses the contention that critical discourse has overlooked the way the built environment informs class identity.
Contents
Acknowledgments
Introduction
1 "Look at the State of this Place!"—The Impact of Domestic Space on Post-WWII Class Consciousness
Post-WWII Housing and Classed Space
Theorizing Domestic Space and Class Identity
Domestic Anxiety in Look Back in Anger
Renegotiations of Identity in Saturday Night and Sunday Morning
Queering the Domestic in A Taste of Honey
2 "Off Down the Local"—Institutional Borders in Working-Class Communities
Shared Space and Working-Class Institutions
Collective Consciousness and Shared Experience
Shared Space and Identity Formation in Saturday Night and Sunday Morning
Class Migration and Social Stasis in This Sporting Life
Contours of Class and Mobility in Up the Junction
3 Spatial Transgression and The Working-Class Imaginary
Theorizing Spatial Transgression: From the Production of Space to the Non-Space
Transgressive Space and Post-WWII Potentiality
Spatial Transgression and the Working-Class Imaginary in Up the Junction
Subterranean Space and Diasporic Demimondes in City of Spades
Differential Space and Inversion in The Loneliness of the Long Distance Runner
4 Against Class Fetishism: The Legacy of Kitchen Sink Realism
A Genealogy of the Realist Mode: Form Versus Function
Critical Approaches to Kitchen Sink Aesthetics
Multimedia Motifs and Kitchen Sink Thematics
Commodified "Kitsch-en" Sinks in Coronation Street
Channel 4 and Coordinated Class Effects
Theaters of Anger and Aggression
Class and Space in Contemporary Fiction
Conclusion
Bibliography
Index
