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基本説明
「工芸」の文化的変遷に迫る2800年の全史。時代別の全6巻（古代 / 中世 / ルネサンス / 啓蒙の時代 / 産業の時代 / 現代）は、各巻に共通の章立て（1. 工芸の概念と認知 / 2. 社会と政治 / 3. 交易と交換 / 4. 繊維、テキスタイル、服飾 / 5. 建築と建設 / 6. 陶磁器とガラス / 7. 木工と家具 / 8. 金属とジュエリー / 9. 絵画、グラフィック、印刷、紙 / 10. 工芸の表象）で、時代と分野を越える比較の視座を提供。
Full Description
Craft has a complex past. It is woven into the histories of materials, techniques and technologies, but also the histories of gender, class, politics, production, and consumption. The distinctions between craft practices - from the studio to the trade to the amateur - and the relationship of craft with art, design and technology have also altered the history of its practice.
A Cultural History of Craft presents the first comprehensive history of the subject. The work is divided into 6 volumes, with each volume covering the same topics, so readers can either study a period/volume or follow a topic across history. The 6 volumes cover: Antiquity (c.800 BCE-500 CE); the Medieval Age (500-1450); the Renaissance (1450-1650); the Age of Enlightenment (1650?1800); the Age of Industry (1800-1920); the Modern Age (1920-present).
Themes (and chapter titles) are: concepts and perceptions of craft; society and politics; trade and exchange; fibres, textiles & dress; building and construction; ceramics and glass; woodworking and furniture; metal and jewelry; painting, graphics, printing and paper; representations of crafts
The page extent for the pack is approximately 1,916pp. Each volume opens with notes on contributors and an introduction and concludes with notes, bibliography, and an index.
The Cultural Histories Series
A Cultural History of Craft is part of The Cultural Histories Series. Titles are available both as printed hardcover sets for libraries needing just one subject or preferring a one-off purchase and tangible reference for their shelves, or as part of a fully-searchable digital library available to institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com).
Contents
Volume 1: A Cultural History of Craft in Antiquity
Edited by Ben Russell, University of Edinburgh, UK
Introduction
1. Concepts and Perceptions of Craft, Ann Brysbaert
2. Society and Politics, David Lewis & Miko Flohr
3. Trade and Exchange, Antonis Kotsonas & Tyler Franconi
4. Fibres, Textiles and Dress, Kerstin Droß-Krüpe & Karina Grömer
5. Building and Construction, Dominik Maschek
6. Ceramics and Glass, Eleni Hasaki & Katherine Larson
7. Woodworking and Furniture, Geoffrey Killen & Dimitra Andrianou
8. Metal and Jewelry, Courtney Ward
9. Painting, Graphics, Printing and Paper, Gianfranco Adornato & Eva Falaschi
10.Representations of Crafts, Ben Russell
Volume 2: A Cultural History of Craft in the Medieval Age
Edited by Heidi Gearhart, George Mason University, USA
Introduction
1. Concepts and Perceptions of Craft, Joseph Salvatore Ackley
2. Society and Politics: Artisan Labor and the Rise of Craft Guilds in Medieval Europe, Jan Dumolyn
3. Trade and Exchange, Sarah C. Luginbill
4. Fibres, Textiles and Dress, Elizabeth Coatsworth and Gale R. Owen-Crocker
5. Building and Construction, Elizabeth Carson Pastan and Ellen M. Shortell
6. Ceramics and Glass, David Govantes Edwards
7. Woodworking and Furniture, Jens Kremb
8. Metal and Jewelry: Fashioning Gender and Status, Jitske Jasperse
9. Painting, Graphics, Printing and Paper: Materials, Techniques, Collaboration, Anna Russakoff
10.Representations of Crafts, Heidi C. Gearhart
Volume 3: A Cultural History of Craft in the Renaissance
Edited by Thomas Max Safley, University of Pennsylvania, USA
Introduction
1. Concepts and Perceptions of Craft, Leonard N. Rosenband
2. Society and Politics, Maarten Prak
3. Trade and Exchange, Bert De Munck
4. Fibres, Textiles and Dress, Andrea Caracausi
5. Building and Construction, Charlotte A. Stanford
6. Ceramics and Glass, Corine Maitte
7. Woodworking and Furniture, Stephen Jackson
8. Metal and Jewelry, Reinhold Reith
9. Painting, Graphics, Printing and Paper, Jonathan M. Bloom
10.Representations of Craft: The Epistemic Limits of Illustrating Craft Knowledge in Ming Print, Culture, Kevin McLoughlin
Volume 4: A Cultural History of Craft in the Age of Enlightenment
Edited by Tessa Murdoch, V&A Museum, London, UK and Heike Zech, Germanisches Nationalmuseum, Nuremburg, Germany
Introduction
1. Concepts and Perceptions of Craft, Glenn Adamson and Heike Zech
2. Society and Politics, Maarten Prak
3. Trade and Exchange, Eleni Bide and Tessa Murdoch
4. Fibers, Textiles and Dress, Lesley Ellis Miller
5. Building and Construction, James Campbell
6. Ceramics and Glass, Patricia Ferguson
7. Woodworking and Furniture, Petra Krutisch
8. Metal and Jewelry, Rachel Church
9. Painting, Graphics, Printing and Paper, Sarah Grant
10.Representations of Crafts, Verena Suchy
Volume 5: A Cultural History of Craft in the Age of Industry
Edited by Stana Nenadic, University of Edinburgh, UK
Introduction
1. Concepts and Perceptions: Who Wanted to Talk About Craft and Why, Geoffrey Crossick
2. Politics, Economy, and Society, Andrew Popp
3. Trade and Exchange, Tirthankar Roy
4. Fibres, Textiles & Dress, Janice Helland
5. Metal and Jewelry, Sarah Laurenson and Stana Nenadic
6. Ceramics and Glass, Neil Ewins.
7. Woodworking and Furniture, Clive Edwards
8. Building and Construction, James W. P. Campbell
9. Painting, Graphics, Printing & Paper, Caroline Archer-Parré
10.Representations of Craft, Annette Carruthers
Volume 6: A Cultural History of Craft in the Modern Age
Edited by Clive Edwards, Loughborough University, UK
Introduction
1. Concepts and Perceptions, Glenn Adamson
2. Politics, Economy, and Society: From Studio Craft to Craft Fairs and Evening Classes, Stephen Knott
3. Trade and Exchange: Weavers and Markets in India, Ruth Clifford
4. Fibres, Textiles and Dress, Sarah Kettley
5. Building and Construction, William McLean
6. Ceramics and Glass, Graham McLaren
7. Woodworking and Furniture, Johanna Agerman Ross
8. Metal and Jewelry, Eric Turner
9. Painting, Graphics, Printing and Paper From the Propaganda Poster to the Pixel, Andrew Selby
10.Representations of Craft, Claire O'Mahony
