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Full Description
From A New Hope to The Rise of Skywalker and beyond, this book offers the first complete assessment and philosophical exploration of the Star Wars universe.
Lucasfilm examines the ways in which these iconic films were shaped by global cultural mythologies and world cinema, as well as philosophical ideas from the fields of aesthetics and political theory, and now serve as a platform for public philosophy. Cyrus R. K. Patell also looks at how this ever-expanding universe of cultural products and enterprises became a global brand and asks: can a corporate entity be considered a "filmmaker and philosopher"?
More than any other film franchise, Lucasfilm's Star Wars has become part of the global cultural imagination. The new generation of Lucasfilm artists is full of passionate fans of the Star Wars universe, who have now been given the chance to build on George Lucas's oeuvre. Within these pages, Patell explores what it means for films and their creators to become part of cultural history in this unprecedented way.
Contents
List of Images
Acknowledgments
Introduction
1. Filmmaking and Philosophizing
2. From Lucas to Lucasfilm
3. Reversal and Recognition, Exile and Return
4. Melodrama
5. Individualism
6. Technophobia
7. Cosmopolitanism
8. Fallibilism
9. Moral Compass
Notes
Bibliography
Index
