- ホーム
- > 洋書
- > 英文書
- > Performing Arts
Full Description
This book explores docudrama as a creative response to troubled times. With generic characteristics formed via traditions in theatre as well as film, and with claims to fact underscored by investigative journalism, television docudrama examines key events and personalities in unfolding national histories. Post-Fall of the Berlin Wall, docudrama has become a means for nations to work through traumatic experiences both within national borders and Europe-wide. In this regard, it is an important genre for television networks as they attempt to make sense of complex current events. These authors offer a template for further study and point towards ways in which European television cultures, beyond those discussed here, might be considered in the future.
Contents
Introduction: A New Europe, the Post-Documentary Turn and Docudrama. Derek Paget.- 1. German Docudrama: Aligning the Fragments and Accessing the Past. Tobias Ebbrecht-Hartmann.- 2. Polish Docudrama: Finding a Balance between Difficult and Easy Pleasures. Wieslaw Godzic.- 3. Italian Docudrama: From the Experimental Moment to Biography as Text of Identity. Milly Buonanno.- 4. French Docudrama: 'Patrimony Television' and 'Embedded Biopic'. Georges Fournier.- 5. Spanish Docudrama: Of Heroes and Celebrities. Victoria Pastor-Gonzalez.- 6. Swedish Docudrama: In the Borderlands of Fact and Fiction. Asa Bergstrom.- 7. British Docudrama: New Directions in Reflexivity. David Rolinson.- Conclusion: 'Unity in Diversity'? Tobias Ebbrecht-Hartmann.- Filmography.- Bibliography.
