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Full Description
In this extensive analysis of the renewed popularity of the 'woman's film' in the 1990s, Roberta Garrett examines melodrama, romantic comedy, costume drama and female-led noirs , revealing the way they blend classical and contemporary themes and formal devices.
Contents
List of Film Stills Acknowledgements Introduction Postmodernism, New Hollywood and Women's Films The Early 1990s 'Postmodernist' Melodrama: Female Virtue in the Consumer Age Romantic Comedy and Female Spectatorship Costume Drama, Historiography and Women's History Neo- Noir and Noir-Lite : Masculinity and Postmodernist Aesthetics in New Retro- Noir Conclusion Bibliography Index