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Full Description
Over the last twenty five years, scholarship on Early Modern women writers has produced editions and criticisms, both on various groups and individual authors. The work on Mary Wroth has been particularly impressive at integrating her poetry, prose and drama into the canon. This in turn has led to comparative studies that link Wroth to a number of male and female writers, including of course, William Shakespeare. At the same time no single volume has attempted a comprehensive comparative analysis. This book sets out to explore the ways in which Wroth negotiated the discourses that are embedded in the Shakespearean canon in order to develop an understanding of her oeuvre based, not on influence and imitation, but on difference, originality and innovation.
Contents
Introduction Paul Salzman and Marion Wynne-Davies Part 1: Poetry, Circulation, Influence 1. Sugared Sonnets among their Private Friends: Mary Wroth and William Shakespeare Ilona Bell 2. Escaping the Void: Isolation, Mutuality and Community in the Sonnets of Wroth and Shakespeare Clare R. Kinney 3. Autumn 1604 - documentation and literary coincidence Penny McCarthy 4. Mary Wroth and William Shakespeare: A Conversation in Sonnets Gayle Gaskill Part 2: Genre and Gender 5. Absent Fathers: Mary Wroth's Love's Victory and William Shakespeare's King Lear Marion Wynne-Davies 6. Wroth's Love Victory as a Response to Shakespeare's Representation of Gender Distinctions: with Special Reference to Romeo and Juliet Akiko Kusunoki 7. Four Weddings, Two Funerals and Tragicomic Resurrection: Love's Victory and Much Ado About Nothing Alison Findlay 8. Civility and Extravagance in Timon of Athens and Urania Amelia Zurcher Part 3: Querying Identity 9. Rosalind and Wroth: Tyranny and Domination Paul J. Hecht 10. Love's Victory, Pastoral, Gender, and As You Like It Paul Salzman 11. As She Likes It: Same-Sex Friendship and Romantic Love in Wroth and Shakespeare Naomi J Miller Afterword Mary Ellen Lamb
