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Full Description
This first full-length scholarly study about animal horror cinema defines the popular subgenre and describes its origin and history in the West. The chapters explore a variety of animal horror films from a number of different perspectives. This is an indispensable study for students and scholars of cinema, horror and animal studies.
Contents
List of Figures Notes on Contributors Acknowledgements 1. Introduction; Katarina Gregersdotter, Nicklas Hallen and Johan Hoglund 2. A History of Animal Horror Cinema; Katarina Gregersdotter, Nicklas Hallen and Johan Hoglund 3. 'They are a fact of life out here': The Ecocritical Subtexts of Three Early-Twenty-First-Century Aussie Animal Horror Movies; Michael Fuchs. 4. Polluting and Perverting Nature: The Vengeful Animals of Frogs; Jennifer Schell. 5. Consuming Wildlife: Representations of Tourism and Retribution in Australian Animal Horror; Maja Milatovic 6. Oil and the (Geo)Politics of Blood: Towards an Eco-Gothic Critique of Nightwing; John Edgar Browning. 7. America, Down the Toilet: Urban Legends, American Society and Alligator; Craig Ian Mann 8. Re-Education as Exorcism: How a White Dog Challenges the Strategies for Dealing with Racism; Susan Schwertfeger. 9. We Spiders: Spider as the Monster of Modernity in the Big Bug and Nature-on-a-Rampage Film Genres; Niklas Salmose. 10. Concubines and Chameleons, Deconstruction and Consumption in Pu Songling's and Gordon Chan's Painted Skin; Myha Do 11. Frozen, The Grey, and the Possibilities of Posthumanist Horror; Dawn Keetley 12. Anthropomorphism and the Representation of Animals as Adversaries; Katarina Gregersdotter and Nicklas Hallen 13. Simian Horror in Rise and Dawn of the Planet of the Apes; Johan Hoglund Index