アドルノと映画哲学 Theodor Adorno and Film Theory : The Fingerprint of Spirit

Wall, Brian

Palgrave Macmillan（2013/03発売）

• 製本 Hardcover:ハードカバー版／ページ数 173 p.
• 言語 ENG
• 商品コード 9781137306135
• DDC分類 791.4301

基本説明

What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art? What would that mean - can it still matter? This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field, as historical and cultural modes of analysis displace theoretical and philosophical ones.

Full Description

What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art? What would that mean - can it still matter? This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field, as historical and cultural modes of analysis displace theoretical and philosophical ones.

Contents

Introduction: The Fingerprint of Spirit 1. The Subject/Object of Cinema: The Maltese Falcon (1941) 2. "A Deeper Breath": From Body to Spirit in Kiss Me Deadly (1955) 3. Negative Dioretix: Repo Man (1984) 4. "Jackie Treehorn Treats Objects Like Women!": Two Types of Fetishism in The Big Lebowski (1988)