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基本説明
Drawing on scientific treatises, murder pamphlets, travel narratives, dream manuals, religious sermons, festive sports, and primary sources, Lin recornstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped dramatic narratives and the presentational dynamics of onstage action.
Full Description
Winner of the MRDS 2013 David Bevington Award for Best New Book in Early Drama Studies! Drawing on a wide variety of primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped dramatic narratives and the presentational dynamics of onstage action.
Contents
PART I: PERFORMANCE EFFECTS Introduction: Materializing the Immaterial Theorizing Theatrical Privilege: Rethinking Weimann's Concepts of Locus and Platea PART II: THEATRICAL WAYS OF KNOWING Staging Sight: Visual Paradigms and Perceptual Strategies in Love's Labor's Lost Imaginary Forces: Allegory, Mimesis, and Audience Interpretation in The Spanish Tragedy PART III: EXPERIENCING EMBODIED SPECTACLE Dancing and Other Delights: Spectacle and Participation in Doctor Faustus and Macbeth Artful Sport: Violence, Dismemberment, and Games in Titus Andronicus , Cymbeline , and Doctor Faustus



