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Full Description
Early modern England was a nation alive with intense religious debate, with often violent results. Central to these debates were questions of prayer, questions powerful enough to splinter the English church and to fuel a ferocious civil war. This collection of thirteen newly commissioned essays traces the controversy and value given to the performance of prayer, through the body, the spoken word and written text, as well as its representation on stage. Through close readings of the works of Christopher Marlowe, William Shakespeare, John Donne, John Milton and Henry Vaughan amongst others, this book examines the performative aspects of prayer in a range of literary modes. This broad range of study is expanded further with chapters focussing on the private religious diaries of men and women throughout the seventeenth century, and the convergence of music and prayer in the work of William Byrd.
Contents
1. Prayer, bodily ritual and performative utterance: Bucer, Calvin, and the Book of Common Prayer Brian Cummings; 2. The tradition of High Church Prayer in the seventeenth century Graham Parry; 3. Performed prayer and sixteenth-century non-conformism Joseph William Sterrett; 4. Enter Mercury, sleeping: delivering prayers on the early modern stage Chloe Preedy; 5. Prayer, performance and community in early modern drama Alison Findlay; 6. Playing at prayer: the spiritual failure of performance in Hamlet Christopher Hodgkins; 7. Prayer and musical performance: the verse anthem Simon Jackson; 8. The Protestant diary and the act of prayer Efrosini Botonaki; 9. Prayer in context: the dynamics of worship in Donne's Encænia Sermon (1623) Katrin Ettenhuber; 10. 'Your suit is granted': performing prayer in early modern English poetry Helen Wilcox; 11. 'The Royal Actor': King Charles I and the performance of prayer Robert Wilcher; 12. Vaughan's devotional prose as political act and prayer Donald Dickson; 13. 'The spirit of prayer inspired': invocation as prayer in Milton's poetic imagination Noam Reisner.
