- ホーム
- > 洋書
- > 英文書
- > Literary Criticism
Full Description
Emily Dickinson's poetry is deeply philosophical. Recognizing that conventional language limited her thought and writing, Dickinson created new poetic forms to pursue the moral and intellectual issues that mattered most to her. This collection situates Dickinson within the rapidly evolving intellectual culture of her time and explores the degree to which her groundbreaking poetry anticipated trends in twentieth-century thought. Essays aim to clarify the ideas at stake in Dickinson's poems by reading them in the context of one or more relevant philosophers, including near-contemporaries such as Nietzsche, Kierkegaard and Hegel, and later philosophers whose methods are implied in her poetry, including Levinas, Sartre and Heidegger. The Dickinson who emerges is a curious, open-minded interpreter of how human beings make sense of the world - one for whom poetry is a component of a lifelong philosophical project.
Contents
Introduction Marianne Noble, Jed Deppman and Gary Lee Stonum; Part I. Dickinson and the Philosophy of her Time: 1. Emily Dickinson: anatomist of the mind Michael Kearns; 2. Dickinson, Hume, and the common sense legacy Melanie Hubbard; 3. Outgrowing genesis? Dickinson, Darwin, and the higher criticism Jane Eberwein; 4. Touching the wounds: Dickinson and Christology Linda Freedman; 5. Against mastery: Dickinson contra Hegel and Schlegel Daniel Fineman; 6. Perfect from the pod: instant learning in Dickinson and Kierkegaard Jim von der Heydt; Part II. Dickinson and Modern Philosophy: 7. Truth and lie in Emily Dickinson and Friedrich Nietzsche Shira Wolosky; 8. Emily Dickinson, pragmatism, and the conquests of mind Renee Tursi; 9. Dickinson and Sartre on facing the brutality of brute existence Farhang Erfani; 10. Dickinson on perception and consciousness: a dialogue with Merleau-Ponty Marianne Noble; 11. The infinite in person: Levinas and Dickinson Megan Craig; 12. Astonished thinking: Dickinson and Heidegger Jed Deppman; Bibliography; Index.
