Full Description
This volume showcases how visual war journalism has emerged as a critical framework in digital journalism studies, portraying how it can enrich our understanding of news imagery in the contexts of ongoing wars, conflicts and crises.
Examinations of global newscapes recurrently bring to light incidents where visual war journalists are working in harm's way, striving to record what they see unfolding before them, often at considerable personal risk. News organisations' incessant demand for compelling imagery continues to intensify while, at the same time, the relative safety for those producing it is becoming ever more precarious. Taken together, this volume's articles amount to an intervention, one striving to foster dialogue and debate about visual war journalism's trajectories today to encourage alternative, critical thought about future prospects within the field. Each article speaks to what is a major escalation in the crisis of precarity over the right to bear witness, including when covering ongoing wars in Ukraine and Gaza, as well as the civil protests against authoritarian control that are waging over imagery. Visual war journalism may empower us to empathise, to see the lived embodiment of humanity in the devastating consequences reported across news and social media sites, and thereby compel us to recognise our moral responsibilities and respond accordingly.
This volume will be an important resource for students and scholars of journalism, photojournalism, media studies and war studies. The articles were first published as a special issue of Digital Journalism, and are accompanied by three new, peer-reviewed articles and a revised Introduction.
Contents
Visual War Journalism: Introduction 1. How Does It Look from Where You Are? A Visual Media Framing Analysis of the 2022 War in Ukraine 2. Post-Photojournalism: Post-Truth Challenges and Threats for Visual Reporting in the Russo Ukrainian War Coverage 3. The War in Ukraine Through the Prism of Visual Disinformation and the Limits of Specialized Fact-checking. A Case-study at Le Monde 4. Spatiotemporal Unfixing, Image-Flow & Palinode in Photography of the Ukraine War 5. Viewer Preferences for Publication of Graphic Images of War 6. Forensic Architecture and the Aesthetics of Post-Human Testimony 7. The Image War Moves to TikTok Evidence from the May 2021 Round of the Israeli-Palestinian Conflict 8. TikToking the Israel-Gaza War: A Content Analysis of Peace and War Narratives in Audiovisual News 9. Mediated Clash of Civilizations: Examining the Proximity-Visual Framing Nexus in Al Jazeera Arabic and Fox News' Coverage of the 2021 Gaza War 10. Picturing Protest: Visual Framing in Authoritarian Media on Twitter 11. Protest Paradigm Revisited: Is Depicting Protestors' (Counter)Violence Really Bad?
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