Western Popular Music and Indian Modernity (Routledge South Asian History and Culture Series)

個数:

Western Popular Music and Indian Modernity (Routledge South Asian History and Culture Series)

  • 提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合が若干ございます。
    2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版/ページ数 182 p.
  • 言語 ENG
  • 商品コード 9781041233541
  • DDC分類 781.640954

Full Description

From the beginning of the colonial period, western musical forms and practices have travelled to the subcontinent, interacted with domestic sound cultures, and played a significant role in the making of Indian modernity. As the contributions in the volume show, it would be popular western styles like ragtime, jazz and rock n' roll that had the greatest impact on Indian culture and social life. Thus, in the nineteen thirties and forties, American jazz served as a powerful catalyst for local musicians who would create Bollywood film music. After Independence, contemporary western music played a big role in the formation of urban youth culture, a process that consisted of regular pop programming on All India Radio, music festivals at the IITs and other colleges, the rise of clubs, discos and local rock bands, and widespread coverage in English-language magazines like The Junior Statesman and Youth Times. Today, western popular music forms like electronic music and rap continue to fertilize India's musical milieu, but do so within the larger context of globalization and digital culture.

This book will appeal to students, researchers and scholars of ethnomusicology, cultural studies, postcolonial studies, and South Asian studies, as well as anyone interested in the intersection of music, culture, and modernity.

The chapters in this book were originally published as a special issue of South Asian History and Culture.

Contents

Introduction: Western popular music and Indian modernity 1. The bi-musical subject: Dwarkanath Tagore and European music in early-nineteenth century Calcutta 2. Rhythm, noise and action: Decoding R.D. Burman's soundtracks of Bombay 3. The Beatles, the bands, and Bollywood: dialectical identities of India's popular music 4. Beatlemania in Bombay 5. Contextualizing the voice of a female pop artist: Western music and Indian modernity 6. 'All Divine': Mapping the intersections between spirituality and modernity in independent Indian music 7. Broadcasting the popular: All India Radio's western music programming in the postcolonial era 8. 'If Madonna can...': emergence of the female indipop star in the 1990s MTV cultural economy 9. Rocking in Kasba: "band" music, contemporary Bengali cinema, and Anjan Dutta's lost Kolkata 10. Sounding against culture? The tenors of western music in a colonial small town 11. 'A distant echo attracts me, fragrance of life beyond': growing up a metalhead in India

最近チェックした商品