Full Description
What fresh perspectives can viewing copyright law through a humanities' looking glass bring to key notions of tomorrow's copyright law? Technological and economic concerns have long been the drivers of debate about copyright. But diverse disciplines in the humanities - including literary studies, aesthetics, film studies, and the philosophy of art - have a great deal to offer if we wish to establish a more nuanced and useful conception of copyright and authorship. This volume brings together scholars from a range of disciplines to explore the challenges inherent in translating aesthetics and creativity studies to concepts of copyright, especially as longstanding approaches are troubled by the rise of the digital.
Contents
Voices near and far, Romantic Authorship in Copyright Law and the Uses of Aesthetics, Creativity, autonomy, and personal touch: A critical appraisal of copyright law's originality test, Adapting the work, Authorship and Copyright: Reassessing the Challenge of the 'Digital', Authorship and communicative norms: implications for copyright law, Creativity and the sense of ownership: Collective authorship in theatre and popular music, professor, Changing authorship in the digital environment
