Nineteenth-Century Transatlantic Reprinting and the Embodied Book (Ashgate Series in Nineteenth-century Transatlantic Studies)

個数：

Nineteenth-Century Transatlantic Reprinting and the Embodied Book (Ashgate Series in Nineteenth-century Transatlantic Studies)

DeSpain, Jessica

ウェブストア価格 ¥11,554（本体¥10,504）
Routledge（2024/10発売）
外貨定価 US$ 53.99
ポイント 105pt

在庫がございません。海外の書籍取次会社を通じて出版社等からお取り寄せいたします。
通常6～9週間ほどで発送の見込みですが、商品によってはさらに時間がかかることもございます。
【重要ご説明事項】
1. 納期遅延や、ご入手不能となる場合がございます。
2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
3. 美品のご指定は承りかねます。

●3Dセキュア導入とクレジットカードによるお支払いについて

【入荷遅延について】
世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。

◆画像の表紙や帯等は実物とは異なる場合があります。

◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
また、洋書販売価格は、ご注文確定時点での日本円価格となります。
ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。

製本 Paperback:紙装版/ペーパーバック版／ページ数 224 p.
言語 ENG
商品コード 9781032926773
DDC分類 381.45002097309034

Full Description

Until the Chace Act in 1891, no international copyright law existed between Britain and the United States, which meant publishers were free to edit text, excerpt whole passages, add new illustrations, and substantially redesign a book's appearance. In spite of this ongoing process of transatlantic transformation of texts, the metaphor of the book as a physical embodiment of its author persisted. Jessica DeSpain's study of this period of textual instability examines how the physical book acted as a major form of cultural exchange between Britain and the United States that called attention to volatile texts and the identities they manifested. Focusing on four influential works"Charles Dickens's American Notes for General Circulation, Susan Warner's The Wide, Wide World, Fanny Kemble's Journal of a Residence on a Georgian Plantation, and Walt Whitman's Democratic Vistas"DeSpain shows that for authors, readers, and publishers struggling with the unpredictability of the textual body, the physical book and the physical body became interchangeable metaphors of flux. At the same time, discourses of destabilized bodies inflected issues essential to transatlantic culture, including class, gender, religion, and slavery, while the practice of reprinting challenged the concepts of individual identity, personal property, and national identity.

Contents: Introduction: steaming across the pond: books, bodies, and citizenship in 19th-century transatlantic culture; 'Here goes Boz - only a shilling!': the monstrous general circulation of American Notes; Claiming kindred with all the world: Susan Warner's The Wide, Wide World and its British reprints; Restaging intimacy: the pamphlet reproductions of Fanny Kemble's Georgian journal; Whitman's democratic marrow: Democratic Vistas within a British working class cheap series; Conclusion: the transatlantic book after international copyright: the arts and crafts respond to an Anglo-American alliance; Bibliography; Index.