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Full Description
This groundbreaking book offers a fresh perspective on classical Chinese literature. Using literary sociology, it demonstrates how social, cultural, and political forces shaped the poetry and prose of the time, and how writers responded to it.
The author employs the compelling metaphor of a "literary ferry" to carry intellectuals, their creative works, and literary practices across historical waters. Through this conceptual framework, the book sheds light on the interplay between literary texts from the Ming and Qing dynasties and their broader contexts, including historical movements, societal structures, class dynamics, institutional systems, clan relationships, community networks, market economies, and geographical influences. It meticulously examines how literature navigates complex social and historical currents while preserving its aesthetic integrity and distinctive literary qualities. Furthermore, it establishes a comprehensive methodological framework for analysing how social environments shape literary production and reception throughout China's rich literary history.
This volume will serve as an invaluable reference for researchers and students specializing in traditional Chinese literature and comparative literary studies, particularly resonating with scholars studying the intersection of literature and sociology. For general readers, the book offers a fascinating exploration of the cultural, social, and historical forces that shaped China's greatest literary masterpieces.
Contents
1. Clan Literature Research: Logical Starting Point and Perspectives 2. The "Mingled Differential Mode" and "Multi-layered Literary Creation" in the Poetry of the Ming and Qing Dynasties 3. Local Community: An Important Dimension of the Poetry and Prose of the Ming and Qing Dynasties 4. Grassroots Writing: Regional Literary Societies in the Ming and Qing Dynasties 5. "Commoner Literary Power": The Evolution of the Writer in the Ming and Qing Dynasties 6. "Year-End Sacrifice of/to Poetry" as a Form of Literary Criticism in the Qing Dynasty 7. Literary Bonds and Reverence for the Power of Literature among Jiangnan Intellectuals 8. Si Ren Zi Tu: Poems of Praise in the Portrait Painting of Qing Poets 9. The Imperial Examinations (keju): The Best System or the Worst? 10. The Long-Term Cultural Mechanism of the Eight-Legged Essay 11. Shaping the Literature of the Ming Dynasty in the Smoke of Burning Scripts 12. Social Awareness and Literary Activities: Exploring the Burning of Scripts in the Qing Dynasty 13. An Overview of the Poetry and Related Accounts of the Diaoyu Islands in the Ming and Qing Dynasties 14. The Impact of the Avunculate on Jiangnan Literature in the Qing Dynasty 15. The Gao Clan of Jinshan and the Pre-South-Society Period 16. The Formation of Jiangnan Market Towns and Related Literary Communities in the Ming and Qing Dynasties 17. By Lake and River: The Locations of Literary Creation in Jiangnan Literary Societies in the Qing Dynasty 18. The Literary Circle of the Huaihai Area (Yangzhou Prefecture) in the Qing Dynasty and Its Poetry Genealogy 19. Model Character and the Writing of Local Knowledge: The Nature and Textual Characteristics of Quan Zuwang's Poetry 20. The Court Intelligentsia's Presence and Departure: A Case Study of Dou Guangnai in the Qing Dynasty 21. Mirroring the Poetic Heart from the Late Qing Dynasty to the Republic of China Era: A Case Study of Xu Zhaowei's Selected Poems from Hongyin Mansion
