Photographic Collections as Visual Method : Innovation and Creativity in Asia (Routledge Advances in Research Methods)

ホーム
> 洋書
> 英文書
> Sociology

個数：

予約
ポイントキャンペーン

Photographic Collections as Visual Method : Innovation and Creativity in Asia (Routledge Advances in Research Methods)

HENG, Terence (EDT)/ OH, Soon-Hwa (EDT)

ウェブストア価格 ¥12,001（本体¥10,910）
Routledge（2026/06発売）
外貨定価 US$ 54.99
【ウェブストア限定】洋書・洋古書ポイント5倍対象商品（～2/28）
ポイント 545pt

現在予約受付中です。出版後の入荷・発送となります。
（重要：表示されている発売日は予定となり、発売が延期、中止、生産限定品で商品確保ができないなどの理由により、ご注文をお取消しさせていただく場合がございます。予めご了承ください。）

●3Dセキュア導入とクレジットカードによるお支払いについて

【入荷遅延について】
世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。

◆画像の表紙や帯等は実物とは異なる場合があります。

◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
また、洋書販売価格は、ご注文確定時点での日本円価格となります。
ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。

製本 Paperback:紙装版/ペーパーバック版／ページ数 248 p.
言語 ENG
商品コード 9781032895635

Full Description

This book examines photographic collections as ways of doing and/or inspiring research in the humanities and social sciences.

Interweaving case studies and visual essays, this book:

demonstrates the potential for photographic collections to launch new sociological, photographic, and creative work by scholars and practitioners;
critically examines historical, social, and methodological issues revolving around a wide range of photographic collections in and of Asia;
advances engagement with photographic collections as an innovative visual method in qualitative research.

Photographic Collections as Visual Method explores the ways in which photographic collections exceed their archetypal role as records of the past, to become not only a unit of analysis, but also the starting point for creative and critical work that intersects multiple disciplines. A wealth of data, stories, and inspiration, this book will appeal to scholars, students and practice-based researchers in the areas of visual and creative methods, especially methods for visual sociology and visual anthropology, photographic studies, museum studies, and area studies, with a particular focus on Southeast and East Asia.

1. Introduction; Part 1: Histories and Futures; 2. Photographic presences of Singaporean Women in Tech (1950s to 1980s);
3. Picturing Malaya: Uses of Photography in Singapore During the 1940s and 1960s; 4. Framing the Past and Future Narratives: Korean Photography Archives, 1920s-1960s; 5. Carl Alexander Gibson-Hill and Singapore Art History;
6. Debates in 1960s Korean Photographic Art: Realism and Formalism; Part 2: Emerging Approaches to Photographic Collections; 7. Retro Colors and Technological Imagination: Trajectories of Hand-Coloring of Photography from the Nineteenth Century to the Digital Age; 8. Photography, Photocopying, and Lianhuanhua: Mechanical Reproduction and Wang Youshen's Media Experiments in late 1980s China; 9. Photographing Kusu Island's Spiritual Materiality; 10. Technical Frames: Darkroom Printing and Frame Analysis in Narrative Inquiry; 11. The Search for Narrative: A Visual Essay of the Gibson-Hill Photographic Collection; 12. Creative Rephotography through Visual Autoethnography