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Full Description
Guohua Zhu unveils the last two decades of Chinese literary theory and research, offering a glimpse into the evolving dialogue between Eastern and Western theoretical frameworks within China's cultural landscape.
Initially focussing on unique Chinese literary phenomena, Zhu's research culminates in the critical examination of the effectiveness of Western theories within the Chinese cultural context. Drawing upon works from key Chinese literary figures, the book offers a comprehensive understanding of literary realities in China and the constructive roles played by Western theories in Chinese cultural activities. Through detailed examinations of literary canonization processes, cultural identity formation, and the challenges facing art criticism in the digital age, the volume provides readers with nuanced insights into the complex interplay between traditional Chinese artistic values and modern global influences.
A vital resource for students and scholars in Chinese literature, Sinophone studies, cultural studies, Chinese diaspora and overseas Chinese studies.
Contents
Editorial Introduction - The Critical Vision of Professor Guohua Zhu: Bridging Eastern and Western Literary Discourse
Preface
Acknowledgements
1. Transforming Knowledge into Wisdom—On the Logical Starting Point for Literary Criticism
2. Literary Criticism in the Age of Mass Media
3. The Dilemma of Literary Criticism in the Age of Mass Media: A Case Study on the "Bai-Han Debate"
4. The Possibility of Literary Canonization
5. On the Conceptual Distinctions Between Highbrow Literature and Popular Literature
6. Art After the End of Art: Challenges and Possibilities
7. Cognition and Wisdom: "The End of Art" from a Trans-contextual Perspective
8. On Lin Yutang's Perspective on Humor
9. Choosing the Harsh Winter—An Interpretation of Lu Xun's Nihilism
10. Some Reflections on Jin Yong Studies
11. A Bittersweet Journey Through Culture
12. On Cui Jian's Lyrics as Modern Popular Poetry
13. On the Vilification of Wang Anshi
14. "Women Pursuing Men" in Chinese Literature
15. On Duiwen as a Genre for Spiritual Complaint
16. Cultural Identity and Reinvention of Classics in China
17. Do the Chinese Also Dwell Poetically? — A Brief Discussion on the Contextual Conditions for the Aestheticization of Everyday Life
18. Several Levels of Academic Language — With a Discussion on Obscurity
Index
