Critical Approaches to Art, Race and Coloniality in Eastern Europe (Routledge Advances in Art and Visual Studies)

個数:
  • 予約

Critical Approaches to Art, Race and Coloniality in Eastern Europe (Routledge Advances in Art and Visual Studies)

  • 現在予約受付中です。出版後の入荷・発送となります。
    重要:表示されている発売日は予定となり、発売が延期、中止、生産限定品で商品確保ができないなどの理由により、ご注文をお取消しさせていただく場合がございます。予めご了承ください。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版/ページ数 228 p.
  • 言語 ENG
  • 商品コード 9781032806129
  • DDC分類 709.68

Full Description

Building on recent scholarship that challenges the supposed historical isolation of Eastern European art from the colonial matrix of power, this book critiques the sometimes uncritical application of established Western postcolonial and decolonial theories to the region's visual production.

Instead, it advocates for more nuanced, historically grounded methodologies sensitive to Eastern Europe's specific circumstances as a capitalist (semi)periphery and an area shaped by multiple competing empires. Moving beyond Cold War binaries, the essays collectively argue that the region's volatile historical positionalities destabilise rigid theoretical divides between coloniser and colonised, challenge normative understandings of whiteness and indigeneity, and highlight the divergent political trajectories of post-socialism and post-colonialism in artistic practice. Conceptualised as a critical intervention, the volume amplifies voices from the (semi)periphery to make a significant methodological contribution to debates in the global history of art, foregrounding the variegated nature of colonialism itself.

The book will be of interest to scholars working in art history, colonialism and postcolonialism studies, and Eastern European studies.

Contents

Introduction SECTION I: A Materialist Critique 1. Between Empires: Uneven and Combined Development in the Context of Yugoslav Art 2. Decolonial Erasures: Undoing Soviet Modernity 3. Plovdiv's Bratska Mogila as a Microcosm of the 1960s and 1970s in Bulgaria and the Socialist World 4. Does the Post- in Postcolonial mean the same as the Post- in Postsocialist Art? SECTION II: A Transcultural Critique 5. Imperialism, Colonialism and Ukrainian Identity: The Case of Mykhailo Boichuk's School of Monumental Art 6.Who owns modernism?: Indigenous agents among Polish, Jewish, and Ukrainian entanglements in interwar Lviv 7. "Like Ghosts and Phantoms:" Colonialism, Racialized Vision and the Status of Blackness in Interwar Poland 8. The Spatial Practice of the Avant-garde: Ilia Zdanevich 1912-1919 POSTSCRIPT: Art and Liberation 9. Decolonization and Revolution in Ukraine 2000-Present

最近チェックした商品