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Full Description
Innovation in Music: Innovative Creative Practice is a ground-breaking collection, bringing together contributions from instructors, researchers and professionals, focussing on the joy of discovery in the context of music production, music technology and music performance.
With chapters on augmented creativity, single tonality chord songwriting, musical instruments as live samplers and playing field recordings in music production, this book is recommended reading for students, researchers and professionals looking for global insights into the fields of music production, business and technology.
Contents
Part 1: Augmenting Creativity 1. A Self-Portrait: Towards a Practice of Plunderphonics in an Age of Musical Superabundance 2. Playing Field Recordings in Music Production 3. Redividing the Octave for Expanded Tonal Spaces: Preliminary Practical Explorations of Formalised Approaches to Microtonal Composition 4. Messing About as Creative Process: Anti-Solutionist Approaches in the Maker's Workshop, Home Studio and on Stage 5. Single Tonality Chord Songwriting 6. "We Only Have to Draw": Unearthing Parallels Between Xenakis and Oram in the Design of KlangPad, a Learner-Focused Graphic-Composition Tool 7. Composing an Immaterial Body: Deconstructing and Reconnecting Vocal Expressions in SOPHIE's "Immaterial" 8. From Discovery to Trend: Wrong or Unintended Use of Technology as a Basis for Musical Development 9. Augmented Creativity: Does AI Help or Hinder Musicians' Creative Processes? 10. The Sound(s) of Colour: Developing a Theory of Cross-Modal Interpretation 11. Time After Time: Temporal Multiplicity as Layers of Narrative Time in Transmedia Concept Albums Part 2: Technology in Performance and Production 12. Haptics in Audio- and Music-Production Processes 13. Transvariations - Radical Interpretations of a Classical Piece by Means of Live Audio Processing 14. Love Your Latency: The Glitching Spatiotemporality of Telematic Music Performances 15. Thoughts on Building a Contemplative Modular System 16. Playing the Fader 17. SuperDuper Loopers and the 'Free for Feedback' Release Model 18. Dual-Function Instruments: Musical Instruments as Live Samplers 19. Creative Recording Experiments for Dolby Atmos 20. Rediscovering Analogue Practice in Synthesizer Ensembles 21. Rethinking Resonance: The Feedback Tuba 22. Don't Do This at Home: Re-amping the Norwegian Broadcasting Orchestra (KORK) for Nils Petter Molvær's Certainty of Tides
