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Full Description
The Architecture of Exhibitions embarks on a comprehensive exploration of creativity and design innovation within exhibition spaces. It describes the fundamental principles of exhibition design, tracing the origins of creativity and considering its evolutionary significance.
The book challenges conventional boundaries imposed by rigid classifications, drawing on heuristic studies in biology and the transformative concept of exaptation. It questions the traditional separations between art, science and technology, which often hinder innovation. By advocating for an interdisciplinary approach, it reimagines creativity that transcends conventional limits. Through practice-based research, multidisciplinary case studies and technological innovations, with a focus on generative AI, the book illustrates how modern exhibition spaces actively engage with their audiences, highlighting their profound impact beyond academic discourse.
This book is designed for curators, designers and scholars who are passionate about the future of exhibition spaces. It offers a comprehensive understanding through its four-part structure, making it an essential read for anyone interested in the dynamic interplay between art, technology and society. The book is also designed as an instrument for the education of architecture, design and art students.
Contents
Part 1 A New Perspective on the Origin of Art Exhibition 1. The Origin of the Design of Exhibition Space: From Cave Art to Göbekli Tepe 2. Art Exhibition from the Classic Perspective 3. An Historical Perspective of Architecture for Art Exhibition Part 2 Present and Future Scenarios for Art Exhibition 4. Graphic Narratives for Social Transformation: Weaving Stories into the Built Environment 5. Future Developments 6. Community Resilience at the Venice Biennale (2021-2023) Part 3 Practice-Based Research in Contemporary Art Exhibition 7. Art Exhibition: Guest Contributions, Case Studies, Professional and Academic Experiences Part 3.1 Innovations and Challenges in Traditional Art Exhibition Settings: Guest Contributions 8. Meta-Exhibition Designs 9. The Architecture of Exhibitions and the Exhibition of Architectures: What Are We "Left" With? 10. The Tyranny of Distance? Pa t 3.2 Interdisciplinary Innovations and Immersive Experiences 11. Components, Representations, and Pixels: Three-Dimensional Resolution Through Digital Fabrication 12. Stereoma: Designing an Immersive Spatial Experience 13. Field Notes from My Little Aurora: Close Encounters of the Robotic Kind. Enacting Human-Robot Coexistence in Everyday Life Performing Spaces 14. Marmomac Meets Academies: The Greatest Show of Stone Experimentation 15. Toward Non-Humans' Embassies Part 3.3 The Social, Political, and Narrative Dimension of the Art Exhibition 16. 416_SR1938: The Presence of Memory in the Perceptual Experience 17. Holier Than Thou 18. Phygital: A Designer's Call to Action 19. Enhancing the Sense of Place Through Performative Arts: The Case of Venice 20. Visual Voices: Female-Themed Murals as Community Exhibitions in the South Bronx 21. Gravitational Waves Architecture: Architecture as a Tool for the Transmission of Scientific Knowledge Part 4 Conclusion 22. Reflection and Conclusion on the Evolution and Innovation of Exhibition Spaces 23. Handbook: Designing Exhibition Spaces
