Full Description
Subversion and Conformity of Literary Collage: Between Cut and Glue fills a gap in the current scholarship on literary collage, by addressing how different the interpretations of the concept are, depending on the author who uses the concept and the material and writers surveyed. The book studies writers who employed literary collage during the twentieth and twenty-first centuries, some whose works have been intensely analyzed from this perspective (William S. Burroughs and Walter Benjamin), but also some whose collage-writing style has recently been investigated by writers, being usually placed under the umbrella term of artist books (Stelio Maria Martini).
Contents
Contents
List of Figures
List of Contributors
Preface
Acknowledgements
Introduction
1. The Long History of Collage: from Early Modern Commonplace Books to Twenty-First-Century Experimental Writing, David Banash
2. 'Little Forms' of the Avant-Garde: Walter Benjamin's Einbahnstraße (One-Way Street, 1928) Sofia Cumming
3. Weaponizing the Cut: William S. Burroughs's Transmedial Experiments Benjamin J. Heal
4."Un'appendice sensibile del cervello": Stelio Maria Martini's Collage between Neurosis and Sensitivity Dalila Colucci
5. Collage and Late Style Wojciech Drąg
6. "A heuristic of thought itself" - Montage, Writing, Method Heath Valentine
7. Collage with Words and Images or the Empiricist Turn in the Arts Magda Dragu
Index
